Hinweis: Dies ist eine zusätzlich gescannte Seite, um Farbkeil und Maßstab abbilden zu können.
0.5
1 cm
III: ;
Pdte sur Pdte
quently, very limited. With the body in use at Chinese vase in the Ceramic Museum of Sevres.
Messrs. Minton's, on the contrary, a great variety M. Riocreux, then curator of the Museum,
of colours can be obtained. It is a sort oiParia?i; admired so much the harmonious contrasts formed
the elements entering into its composition are the by the celadon ground of this vase and the thick
FROM A PLAQUE BY M. L. SOLON
same as those used for hard porcelain, but mixed white flowers embossed upon it, that he induced
3ns. Most complicated kinds one of the modellers at the factory, Mr. Fishback,
uced in that body; the biscuit to undertake the necessary trials, in view of
y fired, and during this ope- obtaining similar effects with the Sevres porcelain,
be properly supported in all Curiously enough, no notice was taken of the fact
the glazing is subsequently that, in that particular vase, the celadon tint of the
luch lower temperature. It is field was due to a greenish glaze which was neatly
)rcelain : the highest degree laid between the raised parts, and did not lie at all
ched to bring the glaze into under the reliefs, as it was at first supposed. Under
not be used, as they would this misconception, experiments were made upon a
nd therefore only a certain body coloured in the mass with a small quantity of
attempted. oxide of chrome. The light green ground appear-
china-body, so well adapted ing in delicate shades through the white wherever
ly also be employed; but, as this had been thinly applied, gave a much more
rtiich succeed when used in pleasant result than was even anticipated, and,
Parian are attacked by the indeed, the successful management of those trans-
)ntained in the china-body, parencies now constitutes the principal charm of
isatisfactory results. the process.
lether good effects could not Simple as the method of proceeding has now
eap imitation of " Pate sur become, one must not imagine that the difficulties
ly by means of opaque glass of the first experiments were easily mastered. The
it ground—if an artist were white clay, thickly applied upon a dry surface,
ition to its development. would not adhere to the ground, but insisted on
w decoration on porcelain, curling up or falling off in the firing. To guard
ation of white reliefs upon against such accidents, vases were kept in the wet
not derived, as one might state as long as the work of decoration was being
iod jasper ware, but from a prosecuted. In this way w;is prevented the too
Pdte sur Pdte
quently, very limited. With the body in use at Chinese vase in the Ceramic Museum of Sevres.
Messrs. Minton's, on the contrary, a great variety M. Riocreux, then curator of the Museum,
of colours can be obtained. It is a sort oiParia?i; admired so much the harmonious contrasts formed
the elements entering into its composition are the by the celadon ground of this vase and the thick
FROM A PLAQUE BY M. L. SOLON
same as those used for hard porcelain, but mixed white flowers embossed upon it, that he induced
3ns. Most complicated kinds one of the modellers at the factory, Mr. Fishback,
uced in that body; the biscuit to undertake the necessary trials, in view of
y fired, and during this ope- obtaining similar effects with the Sevres porcelain,
be properly supported in all Curiously enough, no notice was taken of the fact
the glazing is subsequently that, in that particular vase, the celadon tint of the
luch lower temperature. It is field was due to a greenish glaze which was neatly
)rcelain : the highest degree laid between the raised parts, and did not lie at all
ched to bring the glaze into under the reliefs, as it was at first supposed. Under
not be used, as they would this misconception, experiments were made upon a
nd therefore only a certain body coloured in the mass with a small quantity of
attempted. oxide of chrome. The light green ground appear-
china-body, so well adapted ing in delicate shades through the white wherever
ly also be employed; but, as this had been thinly applied, gave a much more
rtiich succeed when used in pleasant result than was even anticipated, and,
Parian are attacked by the indeed, the successful management of those trans-
)ntained in the china-body, parencies now constitutes the principal charm of
isatisfactory results. the process.
lether good effects could not Simple as the method of proceeding has now
eap imitation of " Pate sur become, one must not imagine that the difficulties
ly by means of opaque glass of the first experiments were easily mastered. The
it ground—if an artist were white clay, thickly applied upon a dry surface,
ition to its development. would not adhere to the ground, but insisted on
w decoration on porcelain, curling up or falling off in the firing. To guard
ation of white reliefs upon against such accidents, vases were kept in the wet
not derived, as one might state as long as the work of decoration was being
iod jasper ware, but from a prosecuted. In this way w;is prevented the too