INDEX TO VOLUME III
pace
Afternoons in Studios. I. A Chat with Mr. G. IT. Boughton, A.R.A. Five Illustrations . . . 131
Albert Moore. A. Lys Baldry. Fourteen Illustrations . . . . . . . . . . 3, 47
Artistic Lithography. I. W. Rothenstein ............ 16
II. T. R. Way.............17
Baldry, Alfred Lys. Albert Moore. Fourteen Illustrations . . .......3, 46
Bate, Francis. Clouds. Nine Illustrations ....... ..... 184
Briggs, R. A. Bungalows. Fourteen Illustrations ........... 20
Bruges as a Sketching-Ground. W. Patten. Thirteen Illustrations ........ 42
Bungalows. R. A. Briggs. Fourteen Illustrations . . . . . . . . . .20
Clouds. Francis Bate. Nine Illustrations............ 184
Day in Falmouth Harbour, A. H. S. Tuke. Six Illustrations........ 76
Decoration of the Day, A Note on the. Charles Hiatt .......... 164
Decorative Illustration. Paton Wilson. Five Illustrations ......... 182
Dillon, Frank. Studies by Japanese Artists. Seven Illustrations ........ 35
Draper, H. J. The Sea Maiden. Three Illustrations .......... 163
Dry-point Etching, by Helleu. S. P. Jacomb-Hood. Five Illustrations ....... 67
Frampton, George. On Colouring Sculpture. I. One Illustration ....... 78
Gesso, and some Designs in a Competition for a Finger-Plate, &c. Matthew Webb. Ten Illustrations . 153
Harper, C. G. Shrewsbury as a Sketching-Ground. Six Illustrations ....... 138
Hiatt, Charles. A Note on the Decoration of the Day .......... 164
Home Arts and Industries Association at the Royal Albert Hall. Aymer Vallance. Nine Illustrations . 150
Hood, G. P. Jacomb. Dry-point Etching, by Helleu. Five Illustrations ... . 67
Interview with Mr. Arthur Silver. A Studio of Design. Eleven Illustrations.....117
Khnopff, Fernand. La Libre Esthetique. Two Illustrations. . • . . . . . -32
Krucke, F. Leather Embossing as an Artistic Handicraft. Seven Illustrations.....51
La Libre Esthetique at Brussels. F. Khnopff. Two Illustrations . . . . . . -32
Lambert, Ernst. A Single Lens in Portraiture. Three Illustrations........ 54
Leather Embossing as an Artistic Handicraft. F. Krucke. Seven Illustrations ..... 51
Leighton, Sir Frederic. Study of a Lemon Tree. One Illustration ........ 24
,, ,, Relation of Architecture and the Sister Arts....... 122
Letters from Artists to Artists on Sketching-Grounds :
Bruges. W. Patten. Illustrated ............. 42
London. H. Marshall. Illustrated............. 106
Shrewsbury. C. G. Harper. Illustrated............ 138
Venice. F. Richards. Illustrated............. 170
Marshall, Herbert. London as a Sketching-Ground. Seven Illustrations...... 106
Martin, David. Some Paintings of Joseph Crawhall. Three Illustrations...... 166
Metal-work, A New Designer for. E. F. Strange. Fourteen Illustrations ...... 142
Methods of Suppression and Modification in Pictorial Photography. Four Illustrations . . . 13
Paintings, by Joseph Crawhall. David Martin. Three Illustrations.......166
Painting, The Responsibility of. Frederick Wedmore..........6
Patten, W. Bruges as a Sketching-Ground. Thirteen Illustrations...... 42
Poetic in Paint. By a Landscape Painter.............101
Portraiture, A Single Lens in. Ernst Lambert. Three Illustrations . . . • . • .54
Relation of Architecture and the Sister Arts. Sir F. Leighton........122
Renaissance of the Potter's Art in France. Six Illustrations ......... 180
Revival of Tapestry Weaving. An Interview with W. Morris. Aymer Vallance. Two Illustrations. . 99
Richards, F. Venice as a Sketching-Ground. Eleven Illustrations . . . . . . . .170
Rothenstein, W. Some Remarks on Artistic Lithography. I. . . . . . . . . .16
Sculpture, On Colouring. One Illustration:
I. George Frampton ................ j8
II. Matthew Webb................80
V
pace
Afternoons in Studios. I. A Chat with Mr. G. IT. Boughton, A.R.A. Five Illustrations . . . 131
Albert Moore. A. Lys Baldry. Fourteen Illustrations . . . . . . . . . . 3, 47
Artistic Lithography. I. W. Rothenstein ............ 16
II. T. R. Way.............17
Baldry, Alfred Lys. Albert Moore. Fourteen Illustrations . . .......3, 46
Bate, Francis. Clouds. Nine Illustrations ....... ..... 184
Briggs, R. A. Bungalows. Fourteen Illustrations ........... 20
Bruges as a Sketching-Ground. W. Patten. Thirteen Illustrations ........ 42
Bungalows. R. A. Briggs. Fourteen Illustrations . . . . . . . . . .20
Clouds. Francis Bate. Nine Illustrations............ 184
Day in Falmouth Harbour, A. H. S. Tuke. Six Illustrations........ 76
Decoration of the Day, A Note on the. Charles Hiatt .......... 164
Decorative Illustration. Paton Wilson. Five Illustrations ......... 182
Dillon, Frank. Studies by Japanese Artists. Seven Illustrations ........ 35
Draper, H. J. The Sea Maiden. Three Illustrations .......... 163
Dry-point Etching, by Helleu. S. P. Jacomb-Hood. Five Illustrations ....... 67
Frampton, George. On Colouring Sculpture. I. One Illustration ....... 78
Gesso, and some Designs in a Competition for a Finger-Plate, &c. Matthew Webb. Ten Illustrations . 153
Harper, C. G. Shrewsbury as a Sketching-Ground. Six Illustrations ....... 138
Hiatt, Charles. A Note on the Decoration of the Day .......... 164
Home Arts and Industries Association at the Royal Albert Hall. Aymer Vallance. Nine Illustrations . 150
Hood, G. P. Jacomb. Dry-point Etching, by Helleu. Five Illustrations ... . 67
Interview with Mr. Arthur Silver. A Studio of Design. Eleven Illustrations.....117
Khnopff, Fernand. La Libre Esthetique. Two Illustrations. . • . . . . . -32
Krucke, F. Leather Embossing as an Artistic Handicraft. Seven Illustrations.....51
La Libre Esthetique at Brussels. F. Khnopff. Two Illustrations . . . . . . -32
Lambert, Ernst. A Single Lens in Portraiture. Three Illustrations........ 54
Leather Embossing as an Artistic Handicraft. F. Krucke. Seven Illustrations ..... 51
Leighton, Sir Frederic. Study of a Lemon Tree. One Illustration ........ 24
,, ,, Relation of Architecture and the Sister Arts....... 122
Letters from Artists to Artists on Sketching-Grounds :
Bruges. W. Patten. Illustrated ............. 42
London. H. Marshall. Illustrated............. 106
Shrewsbury. C. G. Harper. Illustrated............ 138
Venice. F. Richards. Illustrated............. 170
Marshall, Herbert. London as a Sketching-Ground. Seven Illustrations...... 106
Martin, David. Some Paintings of Joseph Crawhall. Three Illustrations...... 166
Metal-work, A New Designer for. E. F. Strange. Fourteen Illustrations ...... 142
Methods of Suppression and Modification in Pictorial Photography. Four Illustrations . . . 13
Paintings, by Joseph Crawhall. David Martin. Three Illustrations.......166
Painting, The Responsibility of. Frederick Wedmore..........6
Patten, W. Bruges as a Sketching-Ground. Thirteen Illustrations...... 42
Poetic in Paint. By a Landscape Painter.............101
Portraiture, A Single Lens in. Ernst Lambert. Three Illustrations . . . • . • .54
Relation of Architecture and the Sister Arts. Sir F. Leighton........122
Renaissance of the Potter's Art in France. Six Illustrations ......... 180
Revival of Tapestry Weaving. An Interview with W. Morris. Aymer Vallance. Two Illustrations. . 99
Richards, F. Venice as a Sketching-Ground. Eleven Illustrations . . . . . . . .170
Rothenstein, W. Some Remarks on Artistic Lithography. I. . . . . . . . . .16
Sculpture, On Colouring. One Illustration:
I. George Frampton ................ j8
II. Matthew Webb................80
V