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Studio: international art — 34.1905

Seite: 365
DOI Heft: DOI Artikel: DOI Artikel: DOI Seite: Zitierlink: i
http://digi.ub.uni-heidelberg.de/diglit/studio1905a/0383
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teacher, Otto Fischer. They are characterised by
a femininity of touch, which remains a pleasure-
giving virtue as long as she does not attempt to go
beyond certain limits of size and subject.

H. W. S.

REVIEWS.

Ladislas de Paul. By Bela Lazar. (Paris :
Librairie de L'Art Ancien et Moderne.)—One of
the finely illustrated and well-written series of
monographs now being issued from the leading art

library of Paris—that are, by the way, not as well
known in England as they deserve to be—this new
volume tells the deeply pathetic story of a young
Hungarian painter whose brilliant career was
suddenly cut short by an untoward accident. The
fellow-countryman and the beloved friend of
Munkacsy, with whom he had much in common,
his fate was not unlike that of the more celebrated
master, for the later years of his life were clouded
by mental illness, the result of his having struck
his head against a gas-burner above his toilet-

WICKER CHAIRS

(See Dresden Studio- Talk)

DESIGNED BY M. A. NICOLAI
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