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Studio: international art — 71.1917

DOI Heft:
No. 294 (September 1917)
DOI Artikel:
Marriott, Charles: The work of Arnesby Brown, R. A.
DOI Seite / Zitierlink: 
https://doi.org/10.11588/diglit.21263#0151

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The Recent Work of Arnesby Brown, R.A.

"SEPTEMBER MORNING" OIL PAINTING BY ARNESBY BROWN, R.A.

design. In pictures like September Morning seen that he could paint in a deliberately

and In June you could not alter a single brush- " decorative " way if he chose ; but the change

mark without loosening the design as well as of style is hardly more than a compliment to an

affecting the representation. There is not a architectural subject, and in his general outlook

painter living who can " say " more in a he is frankly and staunchly a naturalist. Inci-

naturalistic way with a single movement of the dentally, however, the London pieces are

brush than Mr. Arnesby Brown. Any more enough to establish Mr. Brown's right to a wall

broadly inclusive handling of paint would need when our public authorities shaU have waked

some decorative formality in the shapes to up to the fact that painting is the necessary

contain it; which would be to abandon the completion of architecture,

attitude to nature upon which he bases his Most of the characteristics of Mr. Brown's

whole practice. Not the least interesting thing work proceed from the fact that he is about as

about his work, indeed, is the perfect harmony purely a painter, as distinct from every other

not only between matter and style, but between kind of artist, as any man could be. This

them and the implied aesthetic belief in which determines not only his treatment of natural

the picture is painted. Now and then, par- forms, with the sacrifice of everything that

ticularly in some of the London pieces— should hinder the free handling of paint, but

Batter sea Bridge, for example—in arrangement, his choice of subjects as well. Obviously the

colour, and handling Mr. Brown allows it to be Eastern Counties, with their tall, thundery skies,

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