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Studio: international art — 71.1917

DOI issue:
No. 294 (September 1917)
DOI article:
Studio-talk
DOI Page / Citation link: 
https://doi.org/10.11588/diglit.21263#0182

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Studio- Talk

"WOMEN DIVERS" OIL PAINTING BY KOBAYASHI-SKOKICHI

numerous paintings dealing with historical paint with their hands, while those of Tokyo
subjects, such as A Sea Fight by Yamakawa- paint with their heads. But the recent Mom-
Eiga and The Fan Target by Ogata-Gessan, busho art exhibition has shown that this local
but not a single example of portrait painting colour is fading away.

as such. I have also to note the almost total _

disappearance of paintings in which an effec-
tive use of blank space is made. It must be
conceded that one of the valuable assets of the
traditional style of our painting is to present
only the essentials, leaving no small space of
the silk blank in such a way that it performs
its own function of depth and intensity. By the
Water in Winter (a pair of two-panelled screens)
by Takebayashi-Shuho was one of the very few pic-
tures in which the blank space was well utilized.

Great strides are being made by our artists
who use the oil medium. With the increase
of European architecture in Japan, the demand
for oil and water-colour paintings has grown
and their appreciation enhanced, giving stimulus
to the artists who have adopted the methods of
the West. I shall merely mention here some
of the works which were highly commendable.
Among the best were Picking Mulberry Leaves
and Summer Morning by Ota-Kijiro, A Fine
Breezy Day by Nagahara-Kotaro, A Peach
Before concluding, let me say that, judged by Orchard by Okada-Saburosuke, Portrait of Prof.
this exhibition, the qualities which used to dis- Tanakadate by Nakamura-Tsune, When Grapes
tinguish the works of Kyoto artists from those Ripen by Touji-Hisashi, Spring by Nakagawa-
of Tokyo are fast disappearing. The former Hachiro, Women Divers by Kobayashi-Shokichi,
have generally been known for their skill in the Potters by Mitsutani-Kunishiro, Under the Shade
use of brush and colours, and the latter for in the Garden by Okubo-Sakujiro, Blue Light by
emphasizing thoughts rather than the skill. Nakazawa-Hiromitsu, and Dawn by Nakamura-
It has been aptly said that the Kyoto artists Fusetsu. Harada Tiro.

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