96 F R 0
finifhing is united with freedom, when it is delicate and
light, it by very much exceeds (for cabinet pieces
efpecially) the flight productions of hafte and celerity.
FLOWER PAINTING is a diftind branch of art;
like landfcape, portrait, &c. it requires clearnefs of
tint, a happy adjuftment of the various flowers, as pro-
ductive of harmony and effect, and a certain fprightly-
nefs, and gaiety, without which, flowers are heavy and
inefficient. -
It is a too frequent error, to reprcfent in one group,
flowers which do not blow or appear at the fame time :
this mixture of fummer and winter is very reprehenfible.
FORCE is the refult of a judicious application of the
chiaro ofcuro ; its leading principle is contraft.
FORESHORTENING, is the effect of perfpedtive,
and has been explained in the Lectures. In general,
this is a difficult part of ftudy, but when well executed
very deceptive, as it gives the idea of projection and
interval, which otherwife is unattainable : yet this prin-
ciple too abundantly repeated lofes its effect, and injures
the reft of the picture.
FRONT of a picture requires a boldnefs and
freedom of touch, a diftinctnefs, and force of treatment,
in order to make a ftrong imprefllon on the fpectator :
as this part of the picture-is always fuppofed to be near
the fpectator, the objects may be rendered as natural as
poffible, fo that by a little exertion it fhould feem eafy
for him to feel as'well as fee them ; yet always avoiding
GOTHIC
finifhing is united with freedom, when it is delicate and
light, it by very much exceeds (for cabinet pieces
efpecially) the flight productions of hafte and celerity.
FLOWER PAINTING is a diftind branch of art;
like landfcape, portrait, &c. it requires clearnefs of
tint, a happy adjuftment of the various flowers, as pro-
ductive of harmony and effect, and a certain fprightly-
nefs, and gaiety, without which, flowers are heavy and
inefficient. -
It is a too frequent error, to reprcfent in one group,
flowers which do not blow or appear at the fame time :
this mixture of fummer and winter is very reprehenfible.
FORCE is the refult of a judicious application of the
chiaro ofcuro ; its leading principle is contraft.
FORESHORTENING, is the effect of perfpedtive,
and has been explained in the Lectures. In general,
this is a difficult part of ftudy, but when well executed
very deceptive, as it gives the idea of projection and
interval, which otherwife is unattainable : yet this prin-
ciple too abundantly repeated lofes its effect, and injures
the reft of the picture.
FRONT of a picture requires a boldnefs and
freedom of touch, a diftinctnefs, and force of treatment,
in order to make a ftrong imprefllon on the fpectator :
as this part of the picture-is always fuppofed to be near
the fpectator, the objects may be rendered as natural as
poffible, fo that by a little exertion it fhould feem eafy
for him to feel as'well as fee them ; yet always avoiding
GOTHIC