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Instytut Historii Sztuki <Posen> [Hrsg.]
Artium Quaestiones — 6.1993

DOI Heft:
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DOI Artikel:
Labuda, Adam S.: Kolonizacja wschodnia i sztuka gotycka: pojęcia i rzeczywistość
DOI Seite / Zitierlink: 
https://doi.org/10.11588/diglit.28183#0095
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KOLONIZACJA WSCHODNIA I SZTUKA GOTYCKA

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was here thaï the methodological and historiosophic foundations of these studies were laid. They enjoyed
their period of greatest development between the two world wars. The Slavic artistic historiography referred
to the same research categories. The author emphasizes two significant features of the “kunstgeschichte Ost-
forschung”: characterizacion of artistic phenomena in national-ethnic and state categories, a conviction that
interpretation of artistic processes of Eastern Central Europe in perspective of eastern colonization is the
highest from of historical-artistic synthesis. After World War II art history was allegedly abandoning these
assumptions. The author notices that in “disguise” they are still holding and that in the face of the current
political changes in Europe they may be an important factor in the research of art history. What is indis-
pensable is the critical reflection on these assumptions.
 
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