24- AN EPIGRAPHICAL JOURNEY
Between lines i and 2 the real names of the woman and her
father have been inserted as an afterthought. The name of the
woman may be 'EXeVr;, MeAmi^, MeArtVr/. or MtAtVtov, all of which
are common. The reading of the inscription is certain.
No. 20.
Makuf. Fragment in the wall near the Stadion.
TA<t>HNAI6TTIATT0
.... [MeXiiTivrjs A[lowertoi>] ?
.... [t]ov aSeX^bv aivTrjs]
.... [i]i>Ta(f>rjvaL inl 'Atto-
[XXcjplov].
No. 21.
-Makuf. Unpolished stone sewing as a post to a gatczvay.
H0HKHGCTIH N G I K I 0 Y TO Y M 6 A§
^1 n h ce n h te e h cet a i a y t,6c
NeiKIACGTGPOCAGOYAeiC
^TT G I 0 \^MWM\ ACAMGNOCATTO
-M£ I C G VA"W\{ YPIAKW<t>ICKQJ
'h 6t]K7] icrTiJ.v] Net/aou tov Me\[i-]
[tWtjs, iu fj redijcreTaL avro?
Nei>aas • erepo? Se ovSel?,
[e]7rel 6 [eVetcr/SJiacra^e^o? a7ro-
[7"]eicrei [t]w KvpiaKco <f)i(TKa>
i$r]i>dpia TrevTOLKOcna).
Between lines i and 2 the real names of the woman and her
father have been inserted as an afterthought. The name of the
woman may be 'EXeVr;, MeAmi^, MeArtVr/. or MtAtVtov, all of which
are common. The reading of the inscription is certain.
No. 20.
Makuf. Fragment in the wall near the Stadion.
TA<t>HNAI6TTIATT0
.... [MeXiiTivrjs A[lowertoi>] ?
.... [t]ov aSeX^bv aivTrjs]
.... [i]i>Ta(f>rjvaL inl 'Atto-
[XXcjplov].
No. 21.
-Makuf. Unpolished stone sewing as a post to a gatczvay.
H0HKHGCTIH N G I K I 0 Y TO Y M 6 A§
^1 n h ce n h te e h cet a i a y t,6c
NeiKIACGTGPOCAGOYAeiC
^TT G I 0 \^MWM\ ACAMGNOCATTO
-M£ I C G VA"W\{ YPIAKW<t>ICKQJ
'h 6t]K7] icrTiJ.v] Net/aou tov Me\[i-]
[tWtjs, iu fj redijcreTaL avro?
Nei>aas • erepo? Se ovSel?,
[e]7rel 6 [eVetcr/SJiacra^e^o? a7ro-
[7"]eicrei [t]w KvpiaKco <f)i(TKa>
i$r]i>dpia TrevTOLKOcna).