236
the wolfe expedition
Aip. Mepeas ' Ao~kXt)ttlov 'OeLVLaTTjs ojtttcx
95 Aip. Meweas Zcotlkov MapaXir^ds ^TKe
Avp. 'AXe^avSpo? KaptKov ' Afj.TreXaSrjvo1; H< ,o.TKe
Avp. Meweas 'A7T7raSo5 Kepacriai'os
Avp. Aovk[io]s Zcotlkov M . . vXiaTrjs
Avp. KdiVros 'A\e£dv§pov 'Ai'TreA.aS-^^os >i< ,dora'
100 Avp. IIa7ra9 AioTrai'ovs nMayiavds
Avp. A-jT7ras Zcotlkov Kvovreuvevs
Avp. jQaTTtas MeVw^os IletiJcrS^ds ^acra'
Avp. 'AcrK\.7]iTLd8r)s 'Atttto. Svpcr^d? $c p.o~a!
Avp. 'Attttcl<; Zcotlkov Aa77eiaTpevs >fc apa!
105 Avp. Ma^os ZamKov 'X2eiv[i]a7"»7s ^pa'
Aip. Meveas Aovki'ov IlecrewiaT^s ^< /aa'
Avp. Mevavopos 'AXe^dvSpov 'AvTTeXaSrjvos
Avp. 'OvrjCTLixos 'HXlov M.epypLa.tt)'? >(< p.a!
Avp. MeveS^/xo? 'A/VeKas KtLp.evrjvb<i >i<
110 Avp. ALoyevrjs TAevueov ~%Tpovjxvos ^ tcop(x
Avp. XapiS^os YiKlcovo% 'A/jLTreX[a8r]vo<;]
Aip. 'ArraA-os MevdvSpov 'A/j.iTeXa8[r)i'6<;]
Avp. Kapt/cd? /3' X^i/xevr/^d?
Avp. Koveu^ro? Ai^dvovTos OveLVLaTrjs $z cov'
115 Avp. 'IcrKvp^o? Ma/xas X&p.tei^vds tcovcx
Aip. Zcotlkov tyLeveov JlecTKevi^aTiq]';
Aip. M'Cpeas 'A7T7raSos UoXvfxapyrjvo1;
Aip. aevcov Bov/3a\ov LTeicrStai'ds
Avp. Aap,a? /3' Omi'ia^s ^a'
120 e§ Avp. Zcim/cds 'Ep/x^Sos Eipevpe^ (.any? H< /a/f€/.
The close of line 44, viz., C >K B Y N A, is written above the line,
so as to appear at the first glance as a continuation of line 43. The
close of line 45, viz., I~ I Z 6 0 I C, is written above the line in similar
fashion. For other peculiarities of the writing see Mr. Ramsay's
lucid description in the Journal of Hellenic Studies, as cited above.
the wolfe expedition
Aip. Mepeas ' Ao~kXt)ttlov 'OeLVLaTTjs ojtttcx
95 Aip. Meweas Zcotlkov MapaXir^ds ^TKe
Avp. 'AXe^avSpo? KaptKov ' Afj.TreXaSrjvo1; H< ,o.TKe
Avp. Meweas 'A7T7raSo5 Kepacriai'os
Avp. Aovk[io]s Zcotlkov M . . vXiaTrjs
Avp. KdiVros 'A\e£dv§pov 'Ai'TreA.aS-^^os >i< ,dora'
100 Avp. IIa7ra9 AioTrai'ovs nMayiavds
Avp. A-jT7ras Zcotlkov Kvovreuvevs
Avp. jQaTTtas MeVw^os IletiJcrS^ds ^acra'
Avp. 'AcrK\.7]iTLd8r)s 'Atttto. Svpcr^d? $c p.o~a!
Avp. 'Attttcl<; Zcotlkov Aa77eiaTpevs >fc apa!
105 Avp. Ma^os ZamKov 'X2eiv[i]a7"»7s ^pa'
Aip. Meveas Aovki'ov IlecrewiaT^s ^< /aa'
Avp. Mevavopos 'AXe^dvSpov 'AvTTeXaSrjvos
Avp. 'OvrjCTLixos 'HXlov M.epypLa.tt)'? >(< p.a!
Avp. MeveS^/xo? 'A/VeKas KtLp.evrjvb<i >i<
110 Avp. ALoyevrjs TAevueov ~%Tpovjxvos ^ tcop(x
Avp. XapiS^os YiKlcovo% 'A/jLTreX[a8r]vo<;]
Aip. 'ArraA-os MevdvSpov 'A/j.iTeXa8[r)i'6<;]
Avp. Kapt/cd? /3' X^i/xevr/^d?
Avp. Koveu^ro? Ai^dvovTos OveLVLaTrjs $z cov'
115 Avp. 'IcrKvp^o? Ma/xas X&p.tei^vds tcovcx
Aip. Zcotlkov tyLeveov JlecTKevi^aTiq]';
Aip. M'Cpeas 'A7T7raSos UoXvfxapyrjvo1;
Aip. aevcov Bov/3a\ov LTeicrStai'ds
Avp. Aap,a? /3' Omi'ia^s ^a'
120 e§ Avp. Zcim/cds 'Ep/x^Sos Eipevpe^ (.any? H< /a/f€/.
The close of line 44, viz., C >K B Y N A, is written above the line,
so as to appear at the first glance as a continuation of line 43. The
close of line 45, viz., I~ I Z 6 0 I C, is written above the line in similar
fashion. For other peculiarities of the writing see Mr. Ramsay's
lucid description in the Journal of Hellenic Studies, as cited above.