Colvin, Sidney; British Museum / Prints and Drawings Gallery; Malcolm, John [Oth.]: Guide to an exhibition of drawings and engravings by the old masters, principally from the Malcolm Collection in the Print and Drawing Gallery (London: British Museum, 1895)

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Exhibition of Drawings and Sketches.

558. (a) Woman watering a plant.
(b) Apollo, Hyacinthus, and Cupid, adapted from antique
sculpture.
(a) From the Malcolm collection.
559. (a) Portrait of the Bolognese Scholar, Giovanni Philoteo
Achillini, 1466—1538, author of “Il Viridario.”
(b) Orpheus and Eurydice.
(c) Mars, Venus, and Cupid.
(a) (b) From the Malcolm collection.
560. (a) Christ descending into Hell.
(b) The Adoration of the Shepherds.
(b) From the Malcolm collection.
561. (a) The Judgment of Paris.
(b) Allegory, known as “Raphael’s Dream.”
562. (a) The equestrian statue of Marcus Aurelius on the
Capitol.
(b) A figure from the “ Cartoon of Pisa,” by Michelangelo.
(c) Three figures from the “Cartoon of Pisa,” by Michel-
angelo : Florentine soldiers surprised bathing in
the Arno.
(c) From the Malcolm collection.
563. (a) The Death of Dido, after Raphael.
(b) The Death of Lucretia, after Raphael.
(c) Adam and Eve expelled from Eden, after Michelangelo.
(d) Adam and Eve: the Fall, after Raphael.
All from the Malcolm collection.
564. (a) Virgin and Child, seated on clouds, after Raphael.
(b) Poetry, after Raphael’s fresco in the Vatican (Stanza
della Segnatura).
(c) Philosophy, after Raphael’s fresco in the Vatican (Stanza
della Segnatura).
All from the Malcolm collection.
565. Four Engravings after Raphael, with the original drawing
for one.
(a) Two Cupids and Seven Children dancing.
(b) Venus: silver-point drawing by Raphael.
(c) Venus and Cupid, engraved after (b).
(d) Apollo, from “ The School of Athens ”: first plate.
(e) Apollo, from “ The School of Athens ”: second plate.
(a) (b) '(c) From the Malcolm collection.
566. (a) The Judgment of Paris, after Raphael.
(b) A Triumph, after Baldassare Peruzzi.