DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.4765#0135
OF VASES. 127
of dots; this side of the vase has been much repainted, and
the white retouched with green in the flowers in the pyxis.
H. Bari, from the Mastrilli Collection.
Passeri, iii. Tab. 255. Mazochi, Tab. Hcracl. p. 13S. D'Hanearville, iii,
PI. 108. Lcnormant et Be Witte, Mon. Coram I. PI. 36. K. 0. Midler,
Denkmiiler, n, Taf. 18, No. 195. Millin, Gal. Myth. ed. Guigniaut, PI. cxli,
No. 275. Wiescler, Theater gebaiide. Taf. IX, fig. 14. Geppert, Alt. Griecb.
Buhne, Taf. in.
1434. Krater with Stand, ccxix. 1 ft. 11 in. by 1 ft.
8T3o in. height of stand 5TB<j in. Design red on a black ground,
with accessories in white and yellow ; 1. Lykurgos destroy-
ing his family ; the composition is arranged in two rows of
figures, one over the other; in the centre of the lower scene
is Lykurgos about to despatch his wife, whom he has thrown
down, holding her by the hair with his left hand, and being
about to press her down with his left knee; in his right
hand he brandishes a double-edged a.^.e,pelek>js; his hair and
beard are shaggy and neglected ; his breast and abdomen are
covered with hair ; on his head is a cap made of the skin of a
panther's head ; he wears a chlamys fastened by a large circular
perone in the middle of his breast, and endromides; his sword
hangs at his left side, suspended by a shoulder-belt; the wife
of Lykurgos has fallen with her left leg doubled under her ;
she raises both hands above her head, trying with her right
hand to unloose the grasp of Lykurgos ; her hair is dishevel-
led ; a stream of blood is flowing from a wound above her
left breast; she wears earrings, armlets, a double necklace,
a talaric chiton, a peplos, and sandals ; her chiton is girt at
the waist and fastened on the right shoulder with studs,
leaving the left arm and side uncovered; her peplos is em-
broidered ; her sandals are white on the upper leather, and
marked with a row of white studs at the seam of the sole ;
behind Lykurgos is a youthful male figure looking on at the
scene, and raising two fingers of his left hand as if upbraid-
ing Lykurgos; his right hand is placed at the back of his
head with an expression of despair; his hair is dishevelled ;
he has whiskers, but no beard; at his left side hangs a sword
suspended by a shoulder-belt; from his left arm hangs a
chlamys; he wears endromides, which have been painted
white ; behind him is apaidagogos, advancing slowly, with a
crooked staff in his right hand ; his hair and beard are white,
his face covered with wrinkles; he wears a chiton reaching to
of dots; this side of the vase has been much repainted, and
the white retouched with green in the flowers in the pyxis.
H. Bari, from the Mastrilli Collection.
Passeri, iii. Tab. 255. Mazochi, Tab. Hcracl. p. 13S. D'Hanearville, iii,
PI. 108. Lcnormant et Be Witte, Mon. Coram I. PI. 36. K. 0. Midler,
Denkmiiler, n, Taf. 18, No. 195. Millin, Gal. Myth. ed. Guigniaut, PI. cxli,
No. 275. Wiescler, Theater gebaiide. Taf. IX, fig. 14. Geppert, Alt. Griecb.
Buhne, Taf. in.
1434. Krater with Stand, ccxix. 1 ft. 11 in. by 1 ft.
8T3o in. height of stand 5TB<j in. Design red on a black ground,
with accessories in white and yellow ; 1. Lykurgos destroy-
ing his family ; the composition is arranged in two rows of
figures, one over the other; in the centre of the lower scene
is Lykurgos about to despatch his wife, whom he has thrown
down, holding her by the hair with his left hand, and being
about to press her down with his left knee; in his right
hand he brandishes a double-edged a.^.e,pelek>js; his hair and
beard are shaggy and neglected ; his breast and abdomen are
covered with hair ; on his head is a cap made of the skin of a
panther's head ; he wears a chlamys fastened by a large circular
perone in the middle of his breast, and endromides; his sword
hangs at his left side, suspended by a shoulder-belt; the wife
of Lykurgos has fallen with her left leg doubled under her ;
she raises both hands above her head, trying with her right
hand to unloose the grasp of Lykurgos ; her hair is dishevel-
led ; a stream of blood is flowing from a wound above her
left breast; she wears earrings, armlets, a double necklace,
a talaric chiton, a peplos, and sandals ; her chiton is girt at
the waist and fastened on the right shoulder with studs,
leaving the left arm and side uncovered; her peplos is em-
broidered ; her sandals are white on the upper leather, and
marked with a row of white studs at the seam of the sole ;
behind Lykurgos is a youthful male figure looking on at the
scene, and raising two fingers of his left hand as if upbraid-
ing Lykurgos; his right hand is placed at the back of his
head with an expression of despair; his hair is dishevelled ;
he has whiskers, but no beard; at his left side hangs a sword
suspended by a shoulder-belt; from his left arm hangs a
chlamys; he wears endromides, which have been painted
white ; behind him is apaidagogos, advancing slowly, with a
crooked staff in his right hand ; his hair and beard are white,
his face covered with wrinkles; he wears a chiton reaching to