DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.4760#0098
VASES AND FRAGMENTS FROM DAPHNAE. 93
■" 118. STAMNOS. Ht. 9} in. Tauis II, pi. xxviii. 2, ia. Fragments pieced together ;
handles, neck, and foot wanting. ' Fikellura ' ware. Design black (turning to red) on drab
ground ; details indicated by outlines and purple accessories. On the shoulder, tongue-
pattern.
(a) Panther to r., boar and lion confronted ; in the field, dots. (b) Deer to
1. between wolves ; in the field, dots. On the body, a band of crescents, and
frieze of wolves to r., pursuing a hare.
■B 119. STAMNOS. Ht. 11J in. Tauis II, pi. xxviii. 1. Fragments pieced together ; handles
lost. ' Fikellura' ware. Design black on buff ground. On the neck, network.
On the shoulder, each side a frieze : («) Two lions attacking a bull to r., one
with teeth fixed in its hind-quarters ; deer to r. (b) Two wolves about to
attack a deer to r. In the field, crosses and dots. On the body, between
borders of guilloche and crescents, a frieze of wolves pursuing hares to r., a wolf
and two hares alternately. In the field, dots.
S 120. STAMNOS. Ht. Si in. TarnsII, pi. xxviii. 3, 4. Neck and handles lost; much restored.
' Fikellura' ware. Design black on drab ground.
On the shoulder, ivy-leaves on stalks ; on the body, each side, a nude male
figure in archaic running attitude, one to r., the other to 1. On each side of the
handles, a palmette with volutes. Below, a band of crescents.
° 121. STAMNOS. Ht. 12 in. Tanis II, pis. xxix. 1, xxxi. 5. Twenty fragments pieced
together ; about half preserved. Shape derived from ' Fikellura' type. Designs black on red
ground, with incised lines and accessories of white and purple; imperfectly fired.
On the shoulder : Above, tongue-pattern in purple, black and white. Frieze
of Sirens confronted in pairs, with long hair and the ends of fillets hanging
down (?), and wings recurved. Below, a band of crescents in white and purple on
black.
On the body: Frieze of five female figures to 1., hand in hand, with long
close-fitting embroidered chitons and diploidia, long hair, fillets, and necklaces;
on the drapery are painted white stars.
122. STAMNOS. Ht. 7! in. Tanis II, pi. xxx. 1. Fragments pieced together; neck,
handles, and foot wanting. Shape derived from earlier ' Fikellura' vases. Designs black
(turning to red) on buff panels, with purple and white accessories and incised lines. On
the neck, a volute, forming part of a palmette.
(a) A bearded male figure (Oedipus ?) to r., in long white chiton and
himation, confronted by a Sphinx with long hair, beaded fillet, and wings
addorsed. (b) The same design.
123. STAMNOS. Ht. 7 in. Fragments joined. Shape as last. Designs black on red
panels, with purple and white accessories and incised lines.
(a) Parts of three nude male figures to r., dancing ; between them an auletris
to 1., with long hair and long chiton, playing the double flute, (b) Head of a
bearded male figure to r., dancing, confronted by an auletris as on (a).
■" 118. STAMNOS. Ht. 9} in. Tauis II, pi. xxviii. 2, ia. Fragments pieced together ;
handles, neck, and foot wanting. ' Fikellura ' ware. Design black (turning to red) on drab
ground ; details indicated by outlines and purple accessories. On the shoulder, tongue-
pattern.
(a) Panther to r., boar and lion confronted ; in the field, dots. (b) Deer to
1. between wolves ; in the field, dots. On the body, a band of crescents, and
frieze of wolves to r., pursuing a hare.
■B 119. STAMNOS. Ht. 11J in. Tauis II, pi. xxviii. 1. Fragments pieced together ; handles
lost. ' Fikellura' ware. Design black on buff ground. On the neck, network.
On the shoulder, each side a frieze : («) Two lions attacking a bull to r., one
with teeth fixed in its hind-quarters ; deer to r. (b) Two wolves about to
attack a deer to r. In the field, crosses and dots. On the body, between
borders of guilloche and crescents, a frieze of wolves pursuing hares to r., a wolf
and two hares alternately. In the field, dots.
S 120. STAMNOS. Ht. Si in. TarnsII, pi. xxviii. 3, 4. Neck and handles lost; much restored.
' Fikellura' ware. Design black on drab ground.
On the shoulder, ivy-leaves on stalks ; on the body, each side, a nude male
figure in archaic running attitude, one to r., the other to 1. On each side of the
handles, a palmette with volutes. Below, a band of crescents.
° 121. STAMNOS. Ht. 12 in. Tanis II, pis. xxix. 1, xxxi. 5. Twenty fragments pieced
together ; about half preserved. Shape derived from ' Fikellura' type. Designs black on red
ground, with incised lines and accessories of white and purple; imperfectly fired.
On the shoulder : Above, tongue-pattern in purple, black and white. Frieze
of Sirens confronted in pairs, with long hair and the ends of fillets hanging
down (?), and wings recurved. Below, a band of crescents in white and purple on
black.
On the body: Frieze of five female figures to 1., hand in hand, with long
close-fitting embroidered chitons and diploidia, long hair, fillets, and necklaces;
on the drapery are painted white stars.
122. STAMNOS. Ht. 7! in. Tanis II, pi. xxx. 1. Fragments pieced together; neck,
handles, and foot wanting. Shape derived from earlier ' Fikellura' vases. Designs black
(turning to red) on buff panels, with purple and white accessories and incised lines. On
the neck, a volute, forming part of a palmette.
(a) A bearded male figure (Oedipus ?) to r., in long white chiton and
himation, confronted by a Sphinx with long hair, beaded fillet, and wings
addorsed. (b) The same design.
123. STAMNOS. Ht. 7 in. Fragments joined. Shape as last. Designs black on red
panels, with purple and white accessories and incised lines.
(a) Parts of three nude male figures to r., dancing ; between them an auletris
to 1., with long hair and long chiton, playing the double flute, (b) Head of a
bearded male figure to r., dancing, confronted by an auletris as on (a).