Bulletin du Musée National de Varsovie (40.1999)

initiative a large scholarly exhibition devoted to BacciarellPs work was
organized in Poznań and Warsaw in 1970. Alina Chyczewska, the curator of
the exhibition and the author of its two-volume catalogue, wrote her
doctoral dissertation under Lorentz.20

As an expert in Polish Enlightenment architecure, Lorentz’s influence through
his doctoral seminar during the 1960s and 70s should be not be overlooked.
He was a patient, much-loved teacher to all those he accepted to his seminar.
In spite of his numerous professional responsibilities and commitments, he
always found time for his seminar meetings, which ąuickly became an important
centre for research on the art of the Polish Enlightenment. They were held
with astonishing freąuency and regularity, once a week on Thursday,

5. A room devoted to
architecture at the
exhibition TheAgeof
Enlightenment
in Poland at the
National Museum
in Warsaw, 1952

Bellotto 1720-1780, Paintings and Drawings from the National Museum m Warsaw,
Whitechapel Art Gallery, London 1957 (S. Lorentz, S. Kozakiewicz); also mounted at the Walker
Art Gallery, Liverpool 1957, and in the City of York Art Gallery, 1957; Bernardo Bellotto,
Shilderijen en tekeningen uit het National Museum te Warschau, Museum Boymans, Rotterdam
1957 (Lorentz and Kozakiewicz); Bernardo Bellotto gennant Canaletto in Dresden and
Warschau. Austellung vom 8 Dezember 1963 bis 31 August 1964 im Albertmum Dresden,
Dresden 1963 (Lorentz, Kozakiewicz, H. Menz, and W Schumann, with bibliography).

20 A. Chyczewska, foreword by S. Lorentz, Marceli Bacciarelli, życie -twórczość - dzieła, 1-2,
Poznań 1968-70.

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