DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.42067#0196
172
Style
arrangement, but in place of the rectangle with obtuse triangles, we
find a new arrangement of acute triangles. Fig. 14 (p. 27) differs from
those just described in that the central field is divided into two
divisions instead of four. The obtuse triangles in the four corners
Fig. 146. Painted rawhides, Sauk and Fox.
are treated somewhat differently and the figure between them in the
middle of the short side is treated as though the essential design
were the diamond, not the obtuse triangle. The heart shaped design
and the star like figures give the impression of a new development
of older patterns.
In figures 13, 15, 145 a and 146 the rectangles are all placed in
the same direction; the long side parallel to the short side of the
hide. Fig 145 a consists throughout of curved segments correspond-
ing to the obtuse triangles. At the apices of these segments the
Style
arrangement, but in place of the rectangle with obtuse triangles, we
find a new arrangement of acute triangles. Fig. 14 (p. 27) differs from
those just described in that the central field is divided into two
divisions instead of four. The obtuse triangles in the four corners
Fig. 146. Painted rawhides, Sauk and Fox.
are treated somewhat differently and the figure between them in the
middle of the short side is treated as though the essential design
were the diamond, not the obtuse triangle. The heart shaped design
and the star like figures give the impression of a new development
of older patterns.
In figures 13, 15, 145 a and 146 the rectangles are all placed in
the same direction; the long side parallel to the short side of the
hide. Fig 145 a consists throughout of curved segments correspond-
ing to the obtuse triangles. At the apices of these segments the