THE PAINTER 125
and John the Evangelist (1676).1—Santa Maria dei
Servi. Altar to the left of the high-altar. The Trinity
in the air ; below to the left, St. Justina and another
female Saint; to the right, Saints Christopher, John
the Baptist and Anthony the Abbot (1779).2
1 Boschini, op. cit. p. 93 sq. Not recorded by Mosca.
2 Boschini, op. cit. p. 38. Mosca, op. cit. i. 70 (“opera di buon autore”).
Note also, as stated supra., p. 89, n. 1, that four lost pictures, once in San
Felice at Vicenza, are described by Ridolfi (op. cit. i. 141) as being by
Benedetto, whilst Boschini (op. cit. p. 125) gives them to Bartolomeo.
The St. Jerome by Benedetto, which dal Pozzo in 1718 mentions as
being in the possession of the priest Alessandro Betterle of Verona (Le
vite de' pittori . . . veronesi, p. 284) may be identical with one of
Bartolomeo’s versions of that subject (in the Frizzoni and Morelli
collections) according to our suggestion, supra, p. 72, n. 1.
and John the Evangelist (1676).1—Santa Maria dei
Servi. Altar to the left of the high-altar. The Trinity
in the air ; below to the left, St. Justina and another
female Saint; to the right, Saints Christopher, John
the Baptist and Anthony the Abbot (1779).2
1 Boschini, op. cit. p. 93 sq. Not recorded by Mosca.
2 Boschini, op. cit. p. 38. Mosca, op. cit. i. 70 (“opera di buon autore”).
Note also, as stated supra., p. 89, n. 1, that four lost pictures, once in San
Felice at Vicenza, are described by Ridolfi (op. cit. i. 141) as being by
Benedetto, whilst Boschini (op. cit. p. 125) gives them to Bartolomeo.
The St. Jerome by Benedetto, which dal Pozzo in 1718 mentions as
being in the possession of the priest Alessandro Betterle of Verona (Le
vite de' pittori . . . veronesi, p. 284) may be identical with one of
Bartolomeo’s versions of that subject (in the Frizzoni and Morelli
collections) according to our suggestion, supra, p. 72, n. 1.