DOI article:
Ashby, Thomas: Sixteenth-century drawings of roman buildings attributed to Andreas Coner
DOI Page / Citation link:https://doi.org/10.11588/diglit.70293#0074
62
The British School at Rome.
transferred to the Church of S. Marco, where it was drawn by Aristotile da
Sangallo (Uffizi 1746'), Baldassare Peruzzi (632Y, 633), Serlio (Architettura,
[1562] iii. 72 C), Giorgio Vasari the younger (Uffizi 4337'), and also
the later hand in the present album—130 b. It was engraved by the
master who used the monogram G. A. and the calthrop (Nagler, Monogram-
inisten, ii. 2679), but he does not indicate the locality.
Fig. 6. —Kunstgewerbemuseum, Berlin. Drawing No. 3829.
c. 'reperta iusta sauellos' [sic].
This base was drawn by Giuliano da Sangallo (Barb. 71', Basa
trovata dinnovo a pie del quliseo [sic] desaveli), Giambattista da Sangallo
(Uffizi 1804, questa basa se chauo a pie de sauegli), who remarks upon the
alternately large and small flutings of the column. It is exactly like a base
The British School at Rome.
transferred to the Church of S. Marco, where it was drawn by Aristotile da
Sangallo (Uffizi 1746'), Baldassare Peruzzi (632Y, 633), Serlio (Architettura,
[1562] iii. 72 C), Giorgio Vasari the younger (Uffizi 4337'), and also
the later hand in the present album—130 b. It was engraved by the
master who used the monogram G. A. and the calthrop (Nagler, Monogram-
inisten, ii. 2679), but he does not indicate the locality.
Fig. 6. —Kunstgewerbemuseum, Berlin. Drawing No. 3829.
c. 'reperta iusta sauellos' [sic].
This base was drawn by Giuliano da Sangallo (Barb. 71', Basa
trovata dinnovo a pie del quliseo [sic] desaveli), Giambattista da Sangallo
(Uffizi 1804, questa basa se chauo a pie de sauegli), who remarks upon the
alternately large and small flutings of the column. It is exactly like a base