DOI Artikel:
Ashby, Thomas: Sixteenth-century drawings of roman buildings attributed to Andreas Coner
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.70293#0027
Drawings Attributed to Andreas Coner.
15
Nomentana over the Anio, and remains of it apparently still exist on
the right of the road (though owing to the absence of measurements, it is
impossible to be absolutely certain: and, further, the internal chamber
seems to have had no windows). Fabriczy (op. cit. 51) is wrong in placing
the tomb on the left, for that on the left is round, both inside and out,
though the internal niches are rectangular. The Doric cornice is given
below, No. 75.
9. (4) ' Pianta d'un teinpio vicino a S. Bastiano.'
See 6.
10. (6) (back blank).
A plan of an unknown building. The arrangement is not unlike that
of the sacristies on each side of the apse of St. Teter's in Giuliano da
Sangallo's plan in the Uffizi (no. 7), (Geymuller, op. cit. pl. 26, Fig. 1). No
measurements are given, and it may never have been carried into execution.
11. (7)^ blaxiil
Bramante's plan for the church of S. Biagio della Pagnotta, in the Via
Giulia, intended to form part of a palace which took its name from the
church (Geymuller, op. cit. 113), but which was never completed. Compare
Baldassare Peruzzi Uffizi 109': Salvestro Peruzzi Uffizi 667': Aristotile da
Sangallo Uffizi 1893' S'° biagio tutto di inatoni in Roma di bramante Arclii-
tetto1—in this last the church is represented as shorter. There is also a
plan of the whole palace by an unknown artist of the sixteenth century
(Uffizi 136) in which the church is only roughly indicated. It has been
hopelessly modernised, and few traces of Bramante's plan are to be seen
now, though Baron de Geymuller informs me that he observed some parts
in 1868 and 1882 corresponding to it, with some brick walls descending
towards the Tiber, forming a sort of platform on which the church was to
have been built. The church is only open once a year—on February 3.
12 (7v)
A plan of a building which I have been unable to identify, with a
sectional elevation of part of it below. From the presence of measurements
it may be inferred to have been in existence in Coner's time.
1 The anonimo Gaddiano (about 1544) also attributes the church to Bramante (Fabriczy,
II Codice dell' anonimo Gaddiano reprinted from Archivio storico italiano, Ser. v. vol. xii.
(1893) p. 83.
15
Nomentana over the Anio, and remains of it apparently still exist on
the right of the road (though owing to the absence of measurements, it is
impossible to be absolutely certain: and, further, the internal chamber
seems to have had no windows). Fabriczy (op. cit. 51) is wrong in placing
the tomb on the left, for that on the left is round, both inside and out,
though the internal niches are rectangular. The Doric cornice is given
below, No. 75.
9. (4) ' Pianta d'un teinpio vicino a S. Bastiano.'
See 6.
10. (6) (back blank).
A plan of an unknown building. The arrangement is not unlike that
of the sacristies on each side of the apse of St. Teter's in Giuliano da
Sangallo's plan in the Uffizi (no. 7), (Geymuller, op. cit. pl. 26, Fig. 1). No
measurements are given, and it may never have been carried into execution.
11. (7)^ blaxiil
Bramante's plan for the church of S. Biagio della Pagnotta, in the Via
Giulia, intended to form part of a palace which took its name from the
church (Geymuller, op. cit. 113), but which was never completed. Compare
Baldassare Peruzzi Uffizi 109': Salvestro Peruzzi Uffizi 667': Aristotile da
Sangallo Uffizi 1893' S'° biagio tutto di inatoni in Roma di bramante Arclii-
tetto1—in this last the church is represented as shorter. There is also a
plan of the whole palace by an unknown artist of the sixteenth century
(Uffizi 136) in which the church is only roughly indicated. It has been
hopelessly modernised, and few traces of Bramante's plan are to be seen
now, though Baron de Geymuller informs me that he observed some parts
in 1868 and 1882 corresponding to it, with some brick walls descending
towards the Tiber, forming a sort of platform on which the church was to
have been built. The church is only open once a year—on February 3.
12 (7v)
A plan of a building which I have been unable to identify, with a
sectional elevation of part of it below. From the presence of measurements
it may be inferred to have been in existence in Coner's time.
1 The anonimo Gaddiano (about 1544) also attributes the church to Bramante (Fabriczy,
II Codice dell' anonimo Gaddiano reprinted from Archivio storico italiano, Ser. v. vol. xii.
(1893) p. 83.