Drawings Attributed to Andreas Coner.

57

c. 'apud arcu(m) uespasiani?
This cornice must have been found close to the arch, for it is not any
part of the arch itself.
d. ' S. mari(a)e nauicul^a^e?
This is the cornice which runs round the apse of S. Maria in
Dominica or della Navicella1 on the Caelian Hill.
e. ' antonii.'
Cf. 115c.
f. 'in S. ioan(n)e in fontei
The same cornice was drawn by Fra Giocondo {Uffizi 1542') over one
of the doors—probably the entrance door. It is no longer to be seen
there.
g. ' ultima c(orona) archi c{onstantini).'
The cornice of the attic of the Arch of Constantine.
h. Unnamed and unidentified.
i. 'antonii.'_
See supra, 115c, 116e.
j. Unnamed and unidentified.
k. ' Setizonii
Perhaps the cornice of the plinth of the Septizonium. The agree-
ment in form with the drawing in the Uffizi by Fra Giocondo (No. 1540'),
of which Hiilsen (Das Septizonium, p. 16, Fig. 4) makes use, and with
Serlio, Architettura, [1562] iii. 78D is not very close, though the measure-
ments correspond exactly.
117 (88)
Three unnamed plinths and a cornice. All belong to the lower court
of the Belvedere (see 45).
(a) Is the plinth of the columns of the lower order (0 of the second
(d) of the third, while (c) is the moulding of the pilasters at the level of
the capitals of the small columns.
1 The latter name, according to Marucchi (Basiliques et Eglises de Rome, 218) 'ne se
rencontre pas avant le xvie siecle; elle a du commencer a 1'epoque ou Leon X a substitue la
petite barque en marbre que 1'on voit devant la facade a celle qui s'y trouvait auparavant.
But cf. Lanciani, Storia degli Scavi, i. 16, 83 (earliest mention about 1484).