Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
Overview
Facsimile
0.5
1 cm
facsimile
Scroll
OCR fulltext
170

The British School at Rome.

J. B. de Amico.
Antonius de M. Paolo de Camerino.
Nallus de Nod io de Alexandria.
. Antonius de Tuffis de Bononia.
Bernardus Palochi.
Angelus de Lodovico de Florenzia.
Joh. Alverus Valentinianus.
Joh. Petrus de Criuellis mediolanensis.
Marzius de Domenico Lucarelli romanus.
Raphael de Andrea florentinus.
Franciscus de Antonio de senis.
Zenobio de Emiliano.
Stephanus de Florentia pro Cerboni de Consortini de Corsica.
Antonio degli Inferrerii was charged with the execution of the project.
On June 25, 1508, the property was transferred, the Consuls then
being Gaspare de Apriano, Bernardo Palotii romano, Antonius Magistri
Pauli de Sancto Marino, and Pietro Post de Lacie Alemanno. The Notary
was L. de Masiis (1505-25, fol. 60-61). His records not being in the
Notarial Archives of Rome may possibly be in the Archivio di Stato in
Rome.
Antolini, pp. 2-3, informs us that under the Pontificate of Giulio II, on
June 23, 1508, Misser Santi de Cola, Giov. Batt, de Amici, Lorenzo Grossi
Genovese, who were all attached to the Papal Court, together with the
Consuls Gaspare de Aprano, Antonio San-Martino and Pietro Porro, were
commissioned by the Goldsmiths of Rome to examine, regulate, ordain,
reform, and institute new Statutes for the Universita of the Goldsmiths. It
should be noted that one of the MS. copies of the Statutes in the Archives
of the Goldsmiths, written about 1650, is entitled Statuti dell' Universita
Riformati nell’ Anno 1509 sotto il Pontificate di Giulio II At p. 10
Antolini mentions the ancient Statutes formerly ordained by the Presidente
Clerici di Camera Apostolica.
A search made by me amongst the Archives of the Corporation of the
Goldsmiths of Rome disclosed no documents previous to 1509. Angelo
Perelli in his narrative states distinctly that the Goldsmiths of Rome were
constituted as a separate guild in 1508.
According to a document found by Bertolotti in the Archivio Urbano
filza 93 (vide his Artisti Veneti, p. 32), it appears that the Archives of the
 
Annotationen