242
CALONNE COLLECTION.
Guineas
2. Lud. Caracci.—The Holy Family
3. F. Hals.—Portrait of a Young Lady. Style of
Van Dyck . . . . .14
4. Schalken.—Magdalen. A small high-finished pic-
ture . . . . .6
5. Van Dyck.—The Crucifixion. A very fine sketch,
designed for the great altar-piece at Ghent . 25
6. Rembrandt.—Young Officer (small). A lively and
elegant portrait . . . .24
7. Teniers.—The Temptation of St. Anthony. A
very spirited small picture . . .20
8. Van Huysum.—Vase with Flowers. The great
merits of this artist are so well known, it is needless
to say more than that it is a capital and beautiful
picture . . - . .27
9. Denner.—A Man’s Portrait. No painter ever
finished the minutiae of nature with such accuracy
and precision. This is one of his surprising and
elaborate portraits . . . .45
10. Parmegiano.—The Madonna, with Angels, Infant
Christ, and St. John. Of the pupils that succeeded
Raphael, this artist possessed the graces in a superior
degree . . . . .45
11. Holbein.—A Man’s Portrait. A very expressive
fine head, finished with great delicacy . 26
12. Stoop.—Subterraneous Stable, with a Spotted Horse.
A fine warm and forcible effect . .14
13. Sal. Rosa.—The Battles of Alexander (a pair).
Painted with great spirit and masterly execution
60
14. Le Sueur.—The Holy Family, with St. Elizabeth.
A beautiful cabinet picture . . .34
15. N. Poussin.—Rebecca at the Well. This and the
CALONNE COLLECTION.
Guineas
2. Lud. Caracci.—The Holy Family
3. F. Hals.—Portrait of a Young Lady. Style of
Van Dyck . . . . .14
4. Schalken.—Magdalen. A small high-finished pic-
ture . . . . .6
5. Van Dyck.—The Crucifixion. A very fine sketch,
designed for the great altar-piece at Ghent . 25
6. Rembrandt.—Young Officer (small). A lively and
elegant portrait . . . .24
7. Teniers.—The Temptation of St. Anthony. A
very spirited small picture . . .20
8. Van Huysum.—Vase with Flowers. The great
merits of this artist are so well known, it is needless
to say more than that it is a capital and beautiful
picture . . - . .27
9. Denner.—A Man’s Portrait. No painter ever
finished the minutiae of nature with such accuracy
and precision. This is one of his surprising and
elaborate portraits . . . .45
10. Parmegiano.—The Madonna, with Angels, Infant
Christ, and St. John. Of the pupils that succeeded
Raphael, this artist possessed the graces in a superior
degree . . . . .45
11. Holbein.—A Man’s Portrait. A very expressive
fine head, finished with great delicacy . 26
12. Stoop.—Subterraneous Stable, with a Spotted Horse.
A fine warm and forcible effect . .14
13. Sal. Rosa.—The Battles of Alexander (a pair).
Painted with great spirit and masterly execution
60
14. Le Sueur.—The Holy Family, with St. Elizabeth.
A beautiful cabinet picture . . .34
15. N. Poussin.—Rebecca at the Well. This and the