Content

• [a] Camera Work: A Photographic Quarterly [cover recto] DOI
• [c-d] [The Photo-Secession, unsigned text] DOI
• [e-g] M. [Maurice] Maeterlinck [Je crois que voilà les premiers pas, reproduction of untitled, handwritten text] DOI
  • [h] Maurice Maeterlinck [I Believe that Here Are Observable First Steps, untitled text, translation of French handwritten text] DOI
• [1] [Editors] Camera Work [masthead] DOI
• [3] Clarence H. [Hudson] White [list of plates] DOI
• [5] [Clarence H. [Hudson] White, I. Letitia Felix, photogravure from original negative] DOI
• [7] [Clarence H. [Hudson] White, II. Telegraph Poles, photogravure from original negative] DOI
• [9] [Clarence H. [Hudson] White, III. Illustration to “Eben Holden,” photogravure from original negative] DOI
• [11] [Clarence H. [Hudson] White, IV. Winter Landscape, halftone reproduction from platinum print] DOI
• [14] [Clarence H. [Hudson] White, V. Ring Toss, halftone reproduction] DOI
• 15-17 Charles H. [Henry] Caffin, Clarence H. [Hudson] White DOI
• 17-21 Sidney Allan [Sadakichi Hartmann], The Value of the Apparently Meaningless and Inaccurate DOI
  • [19] Mary Cassat, The Breakfast in Bed [halftone reproduction] DOI
  • [19] E. [Eugène] Boudin, The Old Bassin of Dunkirk [halftone reproduction] DOI
• 22 J. [John] B. [Barrett] Kerfoot, A Sermon DOI
• 22 Dallett Fuguet, [Let Scholars Class Their Artists as They Please, untitled poem] DOI
• 23-26 Sidney Allan [Sadakichi Hartmann], The Influence of Visual Perception on Conception and Technique DOI
• 27-31 Otto Walter Beck, Lessons from the Old Masters—II DOI
  • [29] Rembrandt, The Admirals’ Wife [halftone reproduction] DOI
• 32-34 Ward Muir, On Silhouettes DOI
  • [35] [Ward Muir, untitled halftone reproduction of a photograph] DOI
  • [37] [Ward Muir, untitled halftone reproduction of a photograph] DOI
• 39-40 Harry C. [Cogswell] Rubincam, Esthetic Activity in Photography DOI
• [40] [The Announcement of the Sudden and Awful Death of J. Wells Champney, unsigned and untitled text] DOI
• [41] John Francis Strauss, Joseph T. [Turner] Keiley, Alfred Stieglitz, Alvin Langdon Coburn [list of plates] DOI
• [43] [John Francis Strauss, I. The Bridge, photogravure from original negative] DOI
• [45] [Joseph T. [Turner] Keiley, II. The Last Hour, halftone reproduction in two printings from platinum print] DOI
• [47] [Alfred Stieglitz, III. The Street—Design for a Poster, photogravure from original negative] DOI
• [49] [Alvin Langdon Coburn, IV. Winter Shadows, photogravure from enlarged negative] DOI
• 51 Exhibitions [unsigned text] DOI
  • 51 Photo-Secession Notes DOI
  • 51 The Hamburg Jubilee Exhibition DOI
  • 51 The London Salon DOI
• 52 [Editors] Our Illustrations DOI
• [53-74] [Advertisements] DOI
  • [53] Eastman Kodak Co. [Kodoid Plates] DOI
  • [54] The Berlin Photographic Co. [Art Reproductions] DOI
  • [54] E. B. Meyrowitz [Zeiss Lenses] DOI
  • [54] Tennant & Ward [Call for The Photo-Miniature Series] DOI
  • [54] W. Heuermann [Sepia Platinum Paper] DOI
  • [55] E. Schering [Pyrogallic Acid] DOI
  • [55] The United States Express Company [Photographic Apparatus and Materials from “Abroad”] DOI
  • [56] Alfred Stieglitz [Camera Work Numbers One & Two, announcement] DOI
  • [57] Camera Work [Original Photogravures by Alfred Stieglitz, announcement] DOI
  • [58] The Photochrome Engraving Company [Photogravures, Half-Tones] DOI
  • [58] Fleming Carnick [Printing in Black and Color] DOI
  • [58] Seymour Company [Fine Books and Pamphlet Papers] DOI
  • [59] The Anthony & Scovill Company [The ANSCO Daylight Film, Art Cyko Paper] DOI
  • [60] Nepera Division, Eastman Kodak Co. [Velox Paper] DOI
  • [61] Chas. [Charles] M. [Michael] Higgins & Co. [Higgins’ Photo Mounter] DOI
  • [61] John Royle & Sons [Lining-Bevelers] DOI
  • [61] Otto Knoll [Bindings] DOI
  • [62] The Voigtlaender & Son Optical Co. [Collinear Lenses] DOI
  • [62] The Missouri Pacific Railway [Scenic Colorado] DOI
  • [63-64] C. [Carl] P. [Paul] Goerz Optical Works [Goerz Lenses] DOI
  • [65] Helios Photographic Paper Company [Japan Tissue, Rice Paper, Buff Paper] DOI
  • [65] M. A. Seed Dry Plate Company [Non-Halation Orthochromatic Plate] DOI
  • [66] Bausch & Lomb Optical Co. [$3,000.00 for Photographs] DOI
  • [67] Geo. [George] F. [Ferdinand] Of [Frames] DOI
  • [67] Otto Walter Beck [Composition in Portraiture, book announcement] DOI
  • [68] The Obrig Camera Co. [Camera Apparatus and Supplies] DOI
  • [68] Farbenfabriken of Elberfeld Co. [Bayer Photographic Products] DOI
  • [69] C. [Carl] P. [Paul] Goerz Optical Works [The Goerz Lens] DOI
  • [70] The Folmer & Schwing Mfg. Co. [Graflex Camera] DOI
  • [71] [The Dignity of the Snow-capped Mountain, unsigned and untitled citations by J.M. Whistler, P.H. Emerson, from Van Dyke’s “Art for Art’s Sake”] DOI
  • [72] G. Gennert [Developers] DOI
  • [72] Farbenfabriken of Elberfeld Co. [Intensifier–Bayer] DOI
  • [73] Taylor, Taylor & Hobson Ltd. [Cooke Lenses] DOI
  • [73] Willis & Clements [Platinotype] DOI
  • [74] Actien-Gesellschaft für Anilin-Fabrikation [Rodinal, AGFA Handbook] DOI
• [bb] Eastman Kodak Co. [Kodak Camera, back cover verso] DOI
• scale/colour chart