Camera Work: A Photographic Quarterly (1905 (Heft 9))

Metadaten

Camera Work: A Photographic Quarterly — 1905 (Heft 9)

DOI Heft:

[Advertisements]

https://doi.org/10.11588/diglit.30570.29

DOI Artikel:

E. Schering [Pyrogallic Acid]

https://doi.org/10.11588/diglit.30570.32

DOI Artikel:

The Manhattan Photogravure Company [Art Reproductions]

https://doi.org/10.11588/diglit.30570.33

DOI Seite / Zitierlink:

https://doi.org/10.11588/diglit.30570#0069

Lizenz: Camera Work Online: Rechte vorbehalten – freier Zugang

[a] Camera Work: A Photographic Quarterly [cover recto]
[1] [Editors] Camera Work [masthead]
[3] Clarence H. [Hudson] White, Eduard J. [Jean] Steichen [list of plates]
[5] [Clarence H. [Hudson] White, I. The Orchard, photogravure from original negative]
[7] [Clarence H. [Hudson] White, II. Illustration to “Beneath the Wrinkle,” photogravure from original negative]
[8a] [Clarence H. [Hudson] White, III. Illustration to “Eben Holden,” photogravure from original negative]
[11] [Clarence H. [Hudson] White, IV. Boy with Camera Work, photogravure from original negative]
[13] [Clarence H. [Hudson] White, V. The Beatty Children, photogravure from original negative]
[15] [Eduard J. [Jean] Steichen, VI. Portrait of Clarence H. [Hudson] White, photogravure from original negative]
Roland Rood, The Philosophy of Photographic Values
Joseph T. [Turner] Keiley, Eva Watson-Schütze
[27] Eva Watson-Schütze [list of plates]
[29] [Eva Watson-Schütze, I. Head of a Young Girl, photogravure from original negative]
[30a] [Eva Watson-Schütze, II. Portrait Study, photogravure from original negative]
[33] [Eva Watson-Schütze, III. The Rose, halftone reproduction from original gum print]
[35] [Eva Watson-Schütze, IV. Storm, halftone reproduction from original glycerine print]
Frederick H. [Henry] Evans, The Photographic Salon, London, 1904: As Seen Through English Eyes
[Editors] To Our Subscribers
John W. [Wesley] Beatty, Clarence H. White—An Appreciation [with an introduction by the editors]
Alfred Stieglitz, The “First American Salon at New York”
J. [John] B. [Barrett] Kerfoot, Uncle ‘Rastus on the Origins of Trouble
[Editors] Our Illustrations
To Artists [reprint from Life, unsigned poem]
The Photo-Secession [unsigned text]
- Founders, Fellows of the Council
- Elected Fellows
- Associates
Sebastian Melmoth—Extracts [unsigned text]
[59-82] [Advertisements]
- Eastman Kodak Co. [Sepia Paper]
- E. B. Meyrowitz [Palmos Hand-Cameras, Zeiss Lenses]
- E. Schering [Pyrogallic Acid]
- The Manhattan Photogravure Company [Art Reproductions]
- American Aristotype Co. [Extra Heavy Smooth American Platinum Paper]
- The Obrig Camera Co. [Camera Apparatus and Supplies]
- Farbenfabriken of Elberfeld Co. [Hypo Destroyer–Bayer]
- The Photochrome Engraving Company [Half-Tones and Color-Plates]
- The Fleming Press [announcement of removal]
- Seymour Company [Fine Books and Pamphlet Papers]
- Bausch & Lomb Optical Co. [Zeiss Tessar f6.3 Lens]
- H. C. Townsend [Winter Resorts of Texas, Mexico & California]
- Ozotype Company [Ozotype Printing Process]
- Willis & Clements [The Platinotype]
- M. A. Seed Dry Plate Co. [Non-Halation Ortho Plate]
- Geo. [George] F. [Ferdinand] Of [Frames]
- John Royle & Sons [Lining-Bevelers]
- The Voigtlaender & Son Optical Co. [Heliar Lens]
- Nepera Division, Eastman Kodak Company [Velox Paper]
- G. Gennert [British Journal Almanac]
- Farbenfabriken of Elberfeld Co. [Edinol Developer]
- C. [Carl] P. [Paul] Goerz Optical Works [The Photographer’s Dilemma, advertisement supplement for Goerz lenses, with halftone reproduction]
- [Editors] [Advice to Readers]
- [Editors] [Advice to Advertisers]
- The Folmer & Schwing Mfg. Co. [Graflex Camera]
- Chas. [Charles] M. [Michael] Higgins & Co. [Higgins’ Photo Mounter]
- J. H. Dallmeyer, Ltd. [The Dallmeyer-Bergheim Lens]
[bb] Eastman Kodak Company [Mezzo-tone, back cover verso]
Maßstab/Farbkeil

Annotationen

Zitieren dieser Seite

Feedback