DOI Artikel:
[Editors] The Photo-Secession Galleries—Season 1906–1907
DOI Artikel:[Editors] Our Pictures
DOI Artikel:[Editors] In Memoriam [Mrs. George A. Stanbery]
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.30584#0066
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THE PHOTO-SECESSION GALLERIES-
SEASON 1906-1907.
THE second season of the Photo-Secession Galleries will be
inaugurated in November with an exhibition of work by the
members of the Photo-Secession. Exhibition of American
and foreign photographs will follow. The galleries will be
open daily, Sundays excepted, from 10 A.M. till 5 P.M. Admittance is free
upon presentation of visiting-card.
OUR PICTURES.
THE French collection of gum-prints exhibited last winter at
the Photo-Secession Galleries created an unusual stir; especially
was this the case amongst those interested in the processes
of photographic printing methods. Our plates are reproduc-
tions of twelve of these prints. M. Demachy, universally considered the
leading spirit of the French school of pictorial photography, needs no intro-
duction to the readers of Camera Work, as previous issues contained repro-
ductions of many of his efforts. Demachy is always of interest, and we only
regret that even the best of reproduction processes should give but a very
inadequate idea of the exquisite technique of his original prints. It might
be added that many of the latter are owned by a New York collector.
Although Camera Work has heretofore published none of the work
of Captain Puyo or M. Renée Le Bégue, yet these two French photog-
raphers, in a broad sense, must be classed with M. Demachy, as photo-
pictorialists. Like the latter, M. Puyo is an indefatigable experimenter, and
as such probably ranks first in French photography. From a photographer’s
point of view, Puyo is certainly a remarkable technician. Both Puyo and
Demachy are very prolific workers. Renée Le Bégue, although not as prolific
as his confrères, always reveals the artist in all he does, and artistically his
photographs are second to none produced by the French school.
IN MEMORIAM.
ALL who are interested in pictorial photography have heard
with great regret of the recent death of Mrs. George A.
Stanbery, of Zanesville, Ohio, an Associate of the Photo-
Secession. She was an earnest worker, interested in the
experimental stages of pictorial photography. She was very active in her
own circle, ever ready to give any assistance within her power in an unos-
tentatious and unselfish spirit.
54
SEASON 1906-1907.
THE second season of the Photo-Secession Galleries will be
inaugurated in November with an exhibition of work by the
members of the Photo-Secession. Exhibition of American
and foreign photographs will follow. The galleries will be
open daily, Sundays excepted, from 10 A.M. till 5 P.M. Admittance is free
upon presentation of visiting-card.
OUR PICTURES.
THE French collection of gum-prints exhibited last winter at
the Photo-Secession Galleries created an unusual stir; especially
was this the case amongst those interested in the processes
of photographic printing methods. Our plates are reproduc-
tions of twelve of these prints. M. Demachy, universally considered the
leading spirit of the French school of pictorial photography, needs no intro-
duction to the readers of Camera Work, as previous issues contained repro-
ductions of many of his efforts. Demachy is always of interest, and we only
regret that even the best of reproduction processes should give but a very
inadequate idea of the exquisite technique of his original prints. It might
be added that many of the latter are owned by a New York collector.
Although Camera Work has heretofore published none of the work
of Captain Puyo or M. Renée Le Bégue, yet these two French photog-
raphers, in a broad sense, must be classed with M. Demachy, as photo-
pictorialists. Like the latter, M. Puyo is an indefatigable experimenter, and
as such probably ranks first in French photography. From a photographer’s
point of view, Puyo is certainly a remarkable technician. Both Puyo and
Demachy are very prolific workers. Renée Le Bégue, although not as prolific
as his confrères, always reveals the artist in all he does, and artistically his
photographs are second to none produced by the French school.
IN MEMORIAM.
ALL who are interested in pictorial photography have heard
with great regret of the recent death of Mrs. George A.
Stanbery, of Zanesville, Ohio, an Associate of the Photo-
Secession. She was an earnest worker, interested in the
experimental stages of pictorial photography. She was very active in her
own circle, ever ready to give any assistance within her power in an unos-
tentatious and unselfish spirit.
54
