Camera Work:
A Photographic Quarterly – digital
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Camera Work: A Photographic Quarterly
— 1907 (Heft 20)
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Please cite this page by using the following URL/DOI:
https://doi.org/10.11588/diglit.30588#0019
DOI article:
[George Henry Seeley, IV. The Burning of Rome, photogravure from original negative]
https://doi.org/10.11588/diglit.30588.8
DOI Page / Citation link:
https://doi.org/10.11588/diglit.30588#0019
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[a]
Camera Work: A Photographic Quarterly [cover recto]
[e]
[Editors] Errata [laid in errata slip]
[1]
[Editors] Camera Work [masthead]
[3]
George H. [Henry] Seeley [list of plates]
[5]
[George Henry Seeley, I. The Firefly, photogravure from original negative]
[7]
[George Henry Seeley, II. The Black Bowl, photogravure from original negative]
[8a]
[George Henry Seeley, III. Blotches of Sunlight and Spots of Ink, photogravure from original negative]
[11]
[George Henry Seeley, IV. The Burning of Rome, photogravure from original negative]
[13]
[George Henry Seeley, V. Girl with Dog, photogravure from original negative]
[15]
[George Henry Seeley, VI. The White Landscape, photogravure from original negative]
[Joseph] M. [Moore] Bowles, In Praise of Photography
Alfred Stieglitz, The New Color of Photography—A Bit of History
The Color Problem for Practical Work Solved [letter by Alfred Stieglitz to Mr. Bayley, July 31st, 1907]
Mr. Stieglitz on the Personal Factor in Autochrome [incl. excerpts from second letter by Alfred Stieglitz to Mr. Bayley]
[Notice "To the Press", September 26, 1907, unsigned]
Important Recognition of Pictorial Photography [unsigned]
Exhibitions at the Little Galleries
Joseph T. [Turner] Keiley, Gertrude Käsebier [reprint from Photography (London), March 19, 1904]
Charles H. [Henry] Caffin, Emotional art: (After reading the "Craftsman," April, 1907)
C. A. Brasseur, Notes Relating to Color Photography
Joseph T. [Turner] Keiley, Ad Infinitum
[Editors] Our Illustrations
[39]
Alfred Stieglitz, W. W. Renwick [list of plates]
[41]
[Alfred Stieglitz, I. Snapshot—From my Window, New York, photogravure from original negative]
[43]
[Alfred Stieglitz, II. Snapshot—From my Window, Berlin, photogravure from original negative]
[46a]
[Alfred Stieglitz, III. Snapshot—In the New York Central Yards, photogravure from original negative]
[49]
[W. W. Renwick, VI. Nude, from original negative]
[51-69]
[Advertisements]
Nepera Division, Eastman Kodak Co. [Royal Velox Paper]
The Photochrome Engraving Company Co. [Half-Tones, Color-Plates]
The Fleming Press [Printers of Camera Work]
The Manhattan Photogravure Co. [Art Reproductions]
E. [Ernst] Schering [Pyrogallic Acid]
Alfred Stieglitz [Publisher’s Notice]
American Aristotype Co. [Aristo Carbon Sepia Emulsion]
Bausch & Lomb Optical Company [Zeiss Tessar Lens]
Eastman Kodak Company [Kodak Tank Developer]
Folmer & Schwing Division, Eastman Kodak Company [3A Graflex Camera]
[This Space for Sale]
C. [Carl] P. [Paul] Goerz American Optical Co. [Dagor Lens]
M. [Miles] A. [Ainscoe] Seed Dry Plate Co. [Seed Gilt Edge 27 Plates]
Obrig Camera Company [Papers, Films, Cameras, Lenses]
[This Space for Sale]
Otto Knoll [Bindings]
Seymour Company [Fine Book and Pamphlet Papers]
C. [Carl] P. [Paul] Goerz American Optical Co. [Goerz Lens and Shutter]
Jos. Du Nunzio, Division Eastman Kodak Company [Angelo Sepia Platinum Paper]
[This Space for Sale]
Chas. [Charles] M. [Michael] Higgins & Co. [Higgins’ Photo Mounter]
Geo. [George] F. [Ferdinand] Of [Frames]
John Royle & Sons [Lining-Bevelers]
Lumière N. [North] A. [America] Co., [Lumière Autochrome Plates]
[bb]
Eastman Kodak Company [Ozobrome Prints, back cover verso]
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