Camera Work: A Photographic Quarterly (1911 (Heft 36))

Camera Work:
A Photographic Quarterly – digital

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Camera Work: A Photographic Quarterly — 1911 (Heft 36)

DOI Heft:

Alfred Stieglitz [list of plates]

https://doi.org/10.11588/diglit.31227.23

DOI Seite / Zitierlink:

https://doi.org/10.11588/diglit.31227#0053

Lizenz: Camera Work Online: Rechte vorbehalten – freier Zugang

[a] Camera Work: A Photographic Quarterly [cover recto]
[1] [Editors] Camera Work [masthead]
[3] Alfred Stieglitz [list of plates]
[4a] [Alfred Stieglitz, I. The City of Ambition (1910), photogravure from the original negative]
[6a] [Alfred Stieglitz, II. The City across the River (1910), photogravure from the original negative]
[8a] [Alfred Stieglitz, III. The Ferry Boat (1910), photogravure from the original negative]
[10a] [Alfred Stieglitz, IV. The Mauretania (1910), photogravure from the original negative]
[13] [Alfred Stieglitz, V. Lower Manhattan (1910), photogravure from the original negative]
[14a] [Alfred Stieglitz, VI. Old and New New York (1910), photogravure from the original negative]
Benjamin De Casseres, The Unconscious in Art
Sadakichi Hartmann, Structural Units
[Henri Bergson], An Extract from Bergson [reprint from Henri Bergson, Creative Evolution, London 1911]
R. Schumacher, The Liberator—A Fable [translated from German by Herbert Small]
[23] Alfred Stieglitz [list of plates]
[24a] [Alfred Stieglitz, VII. The Aeroplane (1910), photogravure from the original negative]
[26a] [Alfred Stieglitz, VIII. A Dirigible (1910), photogravure from the original negative
The Exhibitions at "291"
- Max Weber Exhibition
- Marin Exhibition
- Cézanne Exhibition
- Picasso Exhibition
- [Editors, reprints of exhibitions reviews]
[35] Alfred Stieglitz [list of plates]
[36a] [Alfred Stieglitz, IX. The Steerage (1907), photogravure from the original negative]
[38a] [Alfred Stieglitz, X. Excavating—New York (1911), photogravure from the original negative]
[40a] [Alfred Stieglitz, XI. The Swimming Lesson (1906), photogravure from the original negative]
[42a] [Alfred Stieglitz, XII. The Pool—Deal (1910), photogravure from the original negative]
45-54 [Editors, reprints of exhibitions reviews, continued from p. 34]
- [Miss E. L. [Elisabeth Luther] Carey [Cary] in the New York Times, continued from p. 34]
- Mr. Harrington in the New York Herald
- Mr. R. [Royal] Cortissoz in the New York Tribune [incl. reprint of a disclaimer by John Singer Sargent to the Nation, London]
- Mr. James Huneker in the New York Sun
- Mr. [Henry] Tyrrell in the New York Evening World
- Mr. James Huneker in the New York Sun
- Mr. Arthur Hoeber in the New York Globe
- Mr. Rockwell in the Brooklyn Eagle [incl. reprint by Roger Fry from the Burlington Magazine, 1911]
- Mr. Arthur Hoeber in the New York Globe
- Mr. [Henry] Tyrrell in the New York Evening World
- [reprint from the New York World, unsigned]
- Mr. B. P. Stephenson in the New York Evening Post
- Mr. J. [Joseph] Edgar Chamberlin in the Evening Mail
- Mr. Harrington in the New York Herald
- Miss Elizabeth [Elisabeth] Luther Carey [Cary] in the New York Times
- Mr. Israel [L.] White in the Newark Evening News
- Mr. James Huneker in the New York Sun
[55] Alfred Stieglitz [list of plates]
[56a] [Alfred Stieglitz, XIII. The Hand of Man (1902), photogravure from the original negative]
[58a] [Alfred Stieglitz, XIV. In the New York Central Yards (1903), photogravure from the original negative]
[60a] [Alfred Stieglitz, XV. The Terminal (1892), photogravure from the original negative]
[62a] [Alfred Stieglitz, XVI. Spring Showers, New York (1900), photogravure from the original negative]
65-68 [Editors, reprints of exhibitions reviews, continued from p. 54]
- [Mr. James Huneker in the New York Sun, continued from p. 54]
- Mr. Fitzgerald in an Editorial Entitled “The New Art Criticism” in the New York Evening Sun
[Plato], Plato's Dialogues—Philebus [reprint from the Socratic dialogue Philebus]
[69] Pablo Picasso [list of plate]
[70a] [Pablo Picasso, I. Drawing, halftone reproduction from reproduction of the original drawing]
Alvin Langdon Coburn, The Relation of Time to Art
[Editors] Our Illustrations
[Editors] Camera Work Numbers in Preparation or About Ready
[75-95] [Advertisements]
- Eastman Kodak Company [Chemicals]
- The Photochrome Engraving Company [Half-Tones, Color-Plates]
- Rogers & Company [Printers of Camera Work]
- The Manhattan Photogravure Co. [Art Reproductions]
- Schering & Glatz [Duratol Developer]
- Herbert & Huesgen Co. [Steinheil Lens]
- Folmer & Schwing Division, Eastman Kodak Company [1A Graflex Camera]
- Obrig Camera Company [Papers, Films, Cameras, Lenses, Developing, Printing, Enlarging, Slides]
- Pinkham & Smith Co. [P. & S. Semi-Achromatic Lenses]
- Rochester Optical Division, Eastman Kodak Co. [Filmplate Premo Camera]
- Chas. [Charles] M. [Michael] Higgins & Co. [Higgins’ Photo Mounter]
- Geo [George] F. [Ferdinand] Of [Frames]
- John Royle & Sons [Routers, Saws, Lining-Bevelers]
- Eastman Kodak Company [Velox Paper]
- Ansco Company [Cyko Paper]
- Bausch & Lomb Optical Co. [Bausch & Lomb-Zeiss Protar Lens]
- Eastman Kodak Company [Kodak Non-Curling Film]
- Eastman Kodak Company [1A Speed Kodak Camera]
- Seed Dry Plate Division, Eastman Kodak Co. [Plates]
- The Taylor-Hobson Co. [Cooke Lense]
- J. L. Lewis [Seltona Paper, Barnet Paper]
- Otto Knoll [Bindings]
- The Seymour Company [Papers, Boards]
- Eastman Kodak Company [Eastman Platinum Paper]
- C. [Carl] P. [Paul] Goerz American Optical Co. [Goerz Lenses]
[bb] Eastman Kodak Company [Kodak Velvet Green Paper, back cover verso]
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Letzte Aktualisierung 11.12.2023 © Universitätsbibliothek Heidelberg Impressum