Camera Work: A Photographic Quarterly (1914 (Heft 45))

Perfect lemon and cutting a central black. Not such clouding. A sugar, a lame sugar,
certainly. No sobriety no silver ash tray.
A co-existence with hard suckling and spoons, and spoons. A co-existence with orange
supper. A last mending. A begging. Should the assault be exterminated, should it.
MARSDEN HARTLEY
A sound is in the best society. It hums and moves, it throws the hat in no way away
and in no way particularly at paving. The meanness is a selection of parts and all of that is no
more a handkerchief merely and large.
POINTS
The exchange which is fanciful and righteous and mingled is in the author mostly in the
piece.
Hunger is not hurry and a silence and no more than ever, it is not so exactly and the
word used is there.
The soon estate and established alternately has bright soldiers and peaceable in the rest
of the stretch.
Point, face, canvas, toy, struck off, sense or, weigh coach, soon beak on, so suck in, and
an iron.
Shut the chamber in the door, so well and so weak and so buttered. Shut the chest out,
do not shut it in.
A sun in shine, and a so and a so helped angle is the same as the whole right.
THE WEDDING
It is not for nothing that the row placed quantity without grinding. Furnishing is some-
thing, individual is pointed. Beetles, only aged sounds are hot, a can in ease and a sponge full
a can in case and a wax well come, a can, a single hole, a wild suggesting wood, a half carpet and
a pillow, a pillow increasing, a shirt in a cloud, a dirty distress, a thing grey, a thing thin, a long
shout, a wonder, an over piece of cool oil, a sugar can, a shut open accident, a result in a feat,
a copper, any copper. A cape coat, in bold shutters, in bold shutters shutting and not changing
shutters not changing climaxes and peelings and hold over the switch, the binding of a pet and
a revolver, the chosen loan, the owned cake in pieces the way to swim.

SECOND CHILDREN’S EXHIBITION
A second exhibition of Children’s Work was held at “291” during the
period February eighteenth to March eleventh. The drawings, pastels,
and water-colors were selected with the greatest care from over a thousand
picked examples of children’s personal predilections. One six year old child’s
drawings were mostly of horses; while another child of nine, who also writes
remarkable verses,—one of which has appeared in Camera Work,—delighted
in charmingly imaginative depictions of fairies or religious entities. All
the drawings shown were by children who had received no guidance in the
use of brush or pencil. All manifested the delightful imaginative and fanciful
qualities which are the child’s kingdom, and which unfortunately are, by
degrees, submerged as the child’s evolution develops more fully the faculty
of observation.
EXHIBITION OF SCULPTURES BY BRANCUSI
Eight original sculptures in bronze, marble, and wood by Brancusi were
shown at “291” from March twelfth to April fourth. They represented an
epitome of the artist’s work during a period of nearly ten years. Plaster casts
of some of the pieces appeared at the big International Show last year, but
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