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Camera Work: A Photographic Quarterly — 1916 (Heft 48)

DOI issue:
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DOI article:
Eastman Kodak Company [Eastman Portrait Films]
DOI Page / Citation link: 
https://doi.org/10.11588/diglit.31461#0103
License: Camera Work Online: Free access – no reuse

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All the quality of a Seed jo Plate, and, in


addition, qualities



Studio, Home Portrait
or Commercial Work.


So long as glass is used as a support for a sensitive emulsion,

just so long will there be halation, whether the plates be slow or fast—
single or double coated. The thickness of the glass permits the re-

flection and refraction of the rays of light, causing halation to some
extent in every negative.
With Eastman Portrait Film, halation is practically eliminated,
the film support being so thin that there is no room for the light to
spread. As a consequence, every gradation of light is clearly regis-
tered without overlapping—there is a perfect separation of tones that
is only possible when the degrading influence of fog is absent.
The result is a negative retaining all the velvety texture of flesh
tones—the snap and brilliancy of highlights or white draperies.
Portrait Films may be used in any plate holder by using Eastman
Film Sheaths, or in the Eastman Film Holders—are
light, flexible, unbreakable, and may be retouched
or etched on either side or on both sides.

PRICE—Same as Seed 30 Plates.

Special illustrated circular at your dealer's or by mail.

EASTMAN KODAK COMPANY,

All Dealers\

ROCHESTER, N. Y.
 
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