Casson, Stanley: The technique of early Greek sculpture (Oxford, 1933)

LIST OF ILLUSTRATIONS xiii
fig. Page
77. Foot of pedestal, No. 168, in the Acropolis Museum . Facing 199
78. Feet on pedestal, No. 499, in the Acropolis Museum . ,, 200
79. Meeting-point of folds of drapery by the left-hand of
the Kore by Antenor . . . . . ,, 201
80. Meeting-point of folds of drapery on the fragmentary
figure, No. 147 (1360), in the Acropolis Museum. . ,, 202
81. Italian gem of the fourth century showing an artist using
the simple bow-drill . . . . . ,, 203
82. Hydria in Boston showing the preparation of the coffer
of Danae 203
Photograph by courtesy of Professor J. D. Beazley
83. Tubular drill ........ 209
84. Contrast of cuts made by a plain tubular drill used with
emery sand and a drill with an inset point of emery . 214
85. Spots on the forepart of a leopard, No. 554, in the Acro-
polis Museum ....... Facing 214
86. Double-ended rasp . . . . . . . 216
* 87.'Marks of rasps on the surface of the colossal figure of
Athena, No. 1362, in the Acropolis Museum . . Facing 216
88. Modern bronze-worker’s burnisher .... 227
89. Modern bronze-worker’s scraper or burnisher . . 227
90. Modern bronze-worker’s hammer .... 228
91. Modern bronze-worker’s gouge ..... 230
92. Modern bronze-worker’s multiple burin ... 231
93. Modern bronze-worker’s simple hand-burins or‘scorpers’ 232
94. Goldsmith’s punches and chisels from Galjub . . Facing 232
95. Modern bronze-worker’s burin for cutting grooves by a
process of downward pulling instead of hammer-
driving ........ 233
96. Modern bronze-worker’s simple burin or ‘scorper’ for
use with a hammer ...... 233