DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.42071#0082
CASTELLO
68
CECHINO
sination about this period of an obscure P. named
Domenico (v. App.).)
A.’s paintings in Florence recorded by Vasari at
S. Miniato al Monte, in the cloister and church of
S. Benedetto, outside walls destroyed in siege, Sta.
Trinith, Santa Maria Nuova (choir and church of
S. Egidio), and the cloister of Sta. Croce, have all
perished or been covered over, as also has his fresco
of Charity in the Palace of the “ Vicario ” of Scar-
peria in Mugello. The tabernacles painted by him
are no longer in existence.
Principal Works :—Florence (Sma- Annunziata,
fresco of S. Jerome; S. Appollonia, old Refectory;
Last Supper, above Resurrection: Crucifixion and
Deposition ( ?) (frescoes); in the same room nine
frescoes of illustrious personages, originally painted
in the Villa Pandolfini a Legnaia; inner cloister of
monastery (now military stores)—lunette—dead
Christ supported by angels. Sta. Maria degli
Angioli, in connection with the hospital of Sta.
Maria Nuova, cloister, Crucifixion. Convent of the
Oblate : Crucifixion, brought from Sta. Maria degli
Angioli. Sta. Maria del Fiore, equestrian effigy of
Niccolo da Tolentini. Palazzo Torrigiani, Portrait
of a Man. National Gallery, Crucifixion (No. 1138).
Widener Collection, Philadelphia, David slaying
Goliath.
(Milanesi, Vasari; Crowe and Cavalcaselle, It.
ed.; Layard’s Kugler; National Gallery Cata-
logue; Phy. A. Registers.)
34. Gastello, Bernardo. Genoa, b. 1557, d.
1629. P. (Genoese school). A.D. 1588. p. of
(i) Andrea Semini, (ii) Luca Cambiaso. B. painted
in Genoa, Rome and Turin. He executed the
drawings for Tasso’s “ Gerusalemme Liberata,”
which were engraved by Agostino Carracci. His
letter of request for election to the Florentine
“ Accademia del Disegno,” dated Sept. 11, 1528,
was presented by Girolamo Macchietti [A.D., R.
2711-
Principal Works :—Genoa, Rome, Turin, Nantes.
(Baglione; Siret; deBoni; A.D. Registers.)
35. Castello, Filippo da, v. Filippo da
Castello.
36. Catolfi, Matteo di (Giovan) Batta.
Flor., b. 15—, d.-. P. His name appears on
A.D., R. 24, c. 81 in Feb. 1568/9. In 1571 a picture
by him, “ The Birth of S. John,” was hung up in
the Academy [A.D., R. 24, c. 31*]. From an entry
in the Register of Matricoli of June 22, 1584 [id.
56. c. 76*], it results that Matteo was then in Rome.
37. Cavalori, Mirabello di Antonio Pacini
de’ (also called Mirabello di Salincorno, from a nick-
name given to his father). Was Councillor A.D.
Oct. 18,1563. Flor., b. 15—,d. 1572, Aug. 27. P.
pr. Phy. A. Jan. 15, 1566/7. A.D., R.; S.L. p. of
Ridolfo del Ghirlandaio. An intimate friend and
companion of Girolamo Macchietti, with whom he
painted a picture of Lorenzo de’ Medici receiving
the youthful Michelagnolo in his Academy, a canvas
executed for Buonarroti’s solemn obsequies, held in
Florence in 1564. He res. at the Canto de’ Monte-
lauri near Sant’ Ambrogio. M. was buried in the
church of S. Piero Maggiore, and, from the date of
his registration in the Phy. A., appears to have died
young. His father was a dyer.
Principal Works :—Florence (Pitti Gallery No.
387, Head of John Baptist brought to Herod). S.
Salvi (panels, ? from Scrittoio of Don Francesco
de’ Medici, in which M. appears a good draughts-
man).
(Milanesi, Vasari; Lanzi; Registers of Phy. A.
and S.L.)
38. Cavallini, Pietro. Rome, b. 12—, d. 13—.
P. MO (Roman school). P. grew in art under and
worked with the Cosmati, and has been considered
a scion of their family. Sir H. Layard says that P.
was neither a scholar nor a follower of Giotto;
but Crowe and Cavalcaselle state that he assisted
the Master in his works in Rome. m. of Giovanni
da Pistoia (? Cristiani). According to Vasari, P.
sojourned in several places in central Italy. It is
certain that in 1308 he was at Naples in the service
of King Robert, with an annual stipend of 30 oz.
of gold and 2 oz. for his lodging. The dates of the
birth and death of P. are uncertain; c. 1250 has
been given as that of his birth, and 1344 and 1364,
variously, as the year in which he died. Vasari
says that he lived to the age of eighty-five. Per-
haps the most probable assumption is that he was
born about, perhaps a little after, 1260, and that
he died between 1345 and 1350.
Works :—Rome, Assisi (?).
(Milanesi; Vasari; Crowe and Cavalcaselle, It.
ed.; Layard’s Kugler.)
39. Cecchi, Matteo di Lando. Flor., b. 15—,
d. -. P. On Oct. 20, 1595, Matteo demanded
322 lire from Jacopo Martini for several works done
for him [A.D., R. 63, c. 86*].
39a. Ceccini, Domenico di Mr°- Piero, Colle
di Val d’ Elsa. B. 15—, d. 16—. mat. ante 1592
[A.D., R. 56, 125*]. Member of Corpo, 1596 [id.
27, c. 84]. On Feb. 16, 1589/90, Domenico de-
manded payment of 42 lire, balance of certain
paintings executed by him for Benedetto Buon-
consigli [id. 63, c. 22*]. On Oct. 31, 1596, Goro
Pagani and Filippo Furini valued a painting by
Domenico at 35 lire [id. 28, c. 12*].
40. Cecchino del Frate. Flor., b. 14—, d.
15—. P. p. of Fra Bartolommeo. Padre Marchesi,
in his Life of Fra Bartolemmeo, prints a contract
entered into between the Master and Francesco di
Filippo di Firenze, on Jan. 1, 1515/16. The Frate
accepted F. as “ garzone ” and “ lavorante di
bottega.” F. was to receive 18 ducats larghi of
gold in gold, working in the bottega or elsewhere,
as his master required, the whole year, holy days
excepted. Any time lost was to be made good, or
his wages would be reduced.
The only Francesco di Filippo we have met with
68
CECHINO
sination about this period of an obscure P. named
Domenico (v. App.).)
A.’s paintings in Florence recorded by Vasari at
S. Miniato al Monte, in the cloister and church of
S. Benedetto, outside walls destroyed in siege, Sta.
Trinith, Santa Maria Nuova (choir and church of
S. Egidio), and the cloister of Sta. Croce, have all
perished or been covered over, as also has his fresco
of Charity in the Palace of the “ Vicario ” of Scar-
peria in Mugello. The tabernacles painted by him
are no longer in existence.
Principal Works :—Florence (Sma- Annunziata,
fresco of S. Jerome; S. Appollonia, old Refectory;
Last Supper, above Resurrection: Crucifixion and
Deposition ( ?) (frescoes); in the same room nine
frescoes of illustrious personages, originally painted
in the Villa Pandolfini a Legnaia; inner cloister of
monastery (now military stores)—lunette—dead
Christ supported by angels. Sta. Maria degli
Angioli, in connection with the hospital of Sta.
Maria Nuova, cloister, Crucifixion. Convent of the
Oblate : Crucifixion, brought from Sta. Maria degli
Angioli. Sta. Maria del Fiore, equestrian effigy of
Niccolo da Tolentini. Palazzo Torrigiani, Portrait
of a Man. National Gallery, Crucifixion (No. 1138).
Widener Collection, Philadelphia, David slaying
Goliath.
(Milanesi, Vasari; Crowe and Cavalcaselle, It.
ed.; Layard’s Kugler; National Gallery Cata-
logue; Phy. A. Registers.)
34. Gastello, Bernardo. Genoa, b. 1557, d.
1629. P. (Genoese school). A.D. 1588. p. of
(i) Andrea Semini, (ii) Luca Cambiaso. B. painted
in Genoa, Rome and Turin. He executed the
drawings for Tasso’s “ Gerusalemme Liberata,”
which were engraved by Agostino Carracci. His
letter of request for election to the Florentine
“ Accademia del Disegno,” dated Sept. 11, 1528,
was presented by Girolamo Macchietti [A.D., R.
2711-
Principal Works :—Genoa, Rome, Turin, Nantes.
(Baglione; Siret; deBoni; A.D. Registers.)
35. Castello, Filippo da, v. Filippo da
Castello.
36. Catolfi, Matteo di (Giovan) Batta.
Flor., b. 15—, d.-. P. His name appears on
A.D., R. 24, c. 81 in Feb. 1568/9. In 1571 a picture
by him, “ The Birth of S. John,” was hung up in
the Academy [A.D., R. 24, c. 31*]. From an entry
in the Register of Matricoli of June 22, 1584 [id.
56. c. 76*], it results that Matteo was then in Rome.
37. Cavalori, Mirabello di Antonio Pacini
de’ (also called Mirabello di Salincorno, from a nick-
name given to his father). Was Councillor A.D.
Oct. 18,1563. Flor., b. 15—,d. 1572, Aug. 27. P.
pr. Phy. A. Jan. 15, 1566/7. A.D., R.; S.L. p. of
Ridolfo del Ghirlandaio. An intimate friend and
companion of Girolamo Macchietti, with whom he
painted a picture of Lorenzo de’ Medici receiving
the youthful Michelagnolo in his Academy, a canvas
executed for Buonarroti’s solemn obsequies, held in
Florence in 1564. He res. at the Canto de’ Monte-
lauri near Sant’ Ambrogio. M. was buried in the
church of S. Piero Maggiore, and, from the date of
his registration in the Phy. A., appears to have died
young. His father was a dyer.
Principal Works :—Florence (Pitti Gallery No.
387, Head of John Baptist brought to Herod). S.
Salvi (panels, ? from Scrittoio of Don Francesco
de’ Medici, in which M. appears a good draughts-
man).
(Milanesi, Vasari; Lanzi; Registers of Phy. A.
and S.L.)
38. Cavallini, Pietro. Rome, b. 12—, d. 13—.
P. MO (Roman school). P. grew in art under and
worked with the Cosmati, and has been considered
a scion of their family. Sir H. Layard says that P.
was neither a scholar nor a follower of Giotto;
but Crowe and Cavalcaselle state that he assisted
the Master in his works in Rome. m. of Giovanni
da Pistoia (? Cristiani). According to Vasari, P.
sojourned in several places in central Italy. It is
certain that in 1308 he was at Naples in the service
of King Robert, with an annual stipend of 30 oz.
of gold and 2 oz. for his lodging. The dates of the
birth and death of P. are uncertain; c. 1250 has
been given as that of his birth, and 1344 and 1364,
variously, as the year in which he died. Vasari
says that he lived to the age of eighty-five. Per-
haps the most probable assumption is that he was
born about, perhaps a little after, 1260, and that
he died between 1345 and 1350.
Works :—Rome, Assisi (?).
(Milanesi; Vasari; Crowe and Cavalcaselle, It.
ed.; Layard’s Kugler.)
39. Cecchi, Matteo di Lando. Flor., b. 15—,
d. -. P. On Oct. 20, 1595, Matteo demanded
322 lire from Jacopo Martini for several works done
for him [A.D., R. 63, c. 86*].
39a. Ceccini, Domenico di Mr°- Piero, Colle
di Val d’ Elsa. B. 15—, d. 16—. mat. ante 1592
[A.D., R. 56, 125*]. Member of Corpo, 1596 [id.
27, c. 84]. On Feb. 16, 1589/90, Domenico de-
manded payment of 42 lire, balance of certain
paintings executed by him for Benedetto Buon-
consigli [id. 63, c. 22*]. On Oct. 31, 1596, Goro
Pagani and Filippo Furini valued a painting by
Domenico at 35 lire [id. 28, c. 12*].
40. Cecchino del Frate. Flor., b. 14—, d.
15—. P. p. of Fra Bartolommeo. Padre Marchesi,
in his Life of Fra Bartolemmeo, prints a contract
entered into between the Master and Francesco di
Filippo di Firenze, on Jan. 1, 1515/16. The Frate
accepted F. as “ garzone ” and “ lavorante di
bottega.” F. was to receive 18 ducats larghi of
gold in gold, working in the bottega or elsewhere,
as his master required, the whole year, holy days
excepted. Any time lost was to be made good, or
his wages would be reduced.
The only Francesco di Filippo we have met with