DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.42071#0214
PANICALE
200
PARENTI
was charged the district fee of 14.10 lire. In 1602
Filippo was at Leghorn [Tolomei, “ Guida di
Pistoja,” 1821 s.ni\. When he went to Milan,
where he is said to have resided for some time, is
not stated. Lanzi [“ Stor. Pitt.,” I. 265] says that
Filippo, having committed some crime in that city
which placed his life in danger, fled to Rome, and
put himself under the protection of Prince Colonna.
Not believing himself safe in Rome, he sought
refuge at Mazzarino, a fief of the Colonna family in
Sicily. He visited Syracuse, Palermo and Calama,
in which places he worked, finally dying in that
island. Richa [“ Chiese Fior.,” III. 304] mentions
a “ S. Giovanni Decollato” by Filippo Paladini in
the church of S. Jacopo in Campo Corbolini,Florence.
Filippo was the father of Arcangiola Paladini,
1599-1623, P., embroideress, poet and musician,
whose notice belongs to the seventeenth century.
16. Panicale, Masolino da, v. Masolino da
Panicale.
17. Paolino, Fra, v.s. Signoraccio, Bernar-
dino del.
18. Paolo d’ Andrea, da Siena, b. 13—, d. 13—.
P. Phy. A. bet. 1320-53 [Cod. VII.]; entered among
Sienese P.’s working in Florence in 1343 [Cod. VIII.].
Paolo was in debt to Guido di Ghezzo, P. of Siena
[q.v.\, who, on June 8, 1333, ceded his credit to
Matteo Rosselli, P., of Florence [Milanesi, N. Doc.
No. 46].
19. Paolo di Dono di Paolo, v. Uccello,
Paolo.
20. Paolo di Giovanni. Flor., b. 13—, d.-.
Phy. A. Dec. 1, 1373. pop. S. Piero Maggiore
[Cod. VII. IX.].
21. Paolo Schiavo was Paolo di Stefano
Badaloni. Flor., b. 1397, d. 1478 Phy. A. Dec.
8, 1429 [Cod. VII. XXI.]. S.L. (lib. rosso 1472).
A follower of Masolino da Panicale. Paolo painted
a fresco in a tabernacle on the Canto de’ Gori at
the entrance of the Via dell’ Ariento. The spot is
now termed “ Le Cantonelle,” a corruption of the
neighbouring Canto de’ Nelli. This fresco, which
represents the Virgin, Infant and Saints, is still
extant, but has been repainted. Vasari alludes
to the foreshortening of the figures [San. II. 266 and
n. 2]. In 1440 Paolo painted, in the upper cloister
of the Convent of S. Apollonia, Our Saviour on
the Cross with nuns kneeling, inscribed “ Pacholo
D. Stefano dipinse questo crocifisso a.d. 1440 ”
[Crowe and Cavalcaselle, ed. Lemon. II. 266 and
n. 2]. Later Paolo left Florence for Pisa, where he
res. next to the house (sub domo) of Battista
Lanfreducci. That he did not altogether sever his
connection with Florence may be inferred from the
entry in the Libro Rosso noted above. On June 6,
1462, p. s. (1463 c. s.) Raniero d’ Antonio, goldsmith
of Pisa, made a declaration with reference to the
painting of a panel, or colmo, by Paolo, for the
nuns of S. Domenico of Pisa, in which he stated
that Paolo had promised to paint the panel and
had already received on account the sum of 24flor. pic.
[Milanesi, N. Doc. No. 132 and n. 1]. In the
Communal Gallery of Pisa there is a Resurrection
of Lazarus, from the church of S. Domenico, which
is attributed to Paolo [Crowe and Cavalcaselle,
ut sup. 267]. Paolo died in Pisa. He may have
received the surname of Schiavo from his family
having been of Sclavonian origin [Milanesi], Father
of—
21a. Marco di Paolo di Stefano. Flor., b.
14—, d. 14—. P. Marco res. and worked in
Pisa. On Dec. 18, 1475 c-s., he contracted to
execute, within two months, two plaster pictures
of the Virgin Mary, 2 bracchia in height, with a
tabernacle of wood, painted and gilded, for Messer
Gabriello Marchiani. The gold used was to be
fine, the blue colour from Germany. Marco appears
to have received in payment six “ salmas ” of
wine of the value of 18 lire. In the deed, which
was drawn up in his bottega, Marco is described
as a P. in the city of Pisa, of the parish of S. Martino
[Milanesi, N. Doc. No. 142].
22. Paolo di Soldino di Dictaiuti. B. 13—-,
d. 13—. MI. Phy. A. bet. 1320-38 [Cod. VII.
VIII.] (one of the six Consuls in Sept. 1347 [Cod.
XLVI.]). Among the P.’s deputed by the Phy. A.
to attend the Council on the works of Sta. Reparata
on July 13, 1366, and selected to make a design or
model of the church on the 20th of the same month
[Guasti, “Sta. M. del Fiore,” 167, Nos. 141-42],
Paolo, “ Miniator librorum ” of the Qr. of S.M.
Novella Gonf. Leone Bianco, was inscribed in the
Estimo of 1351 [c. 124*] for 15 lire; in the Sega of
1354 [c. 41, 134*, 249*] for 5 lire, raised to 15 lire;
for the Prestanzone of 1376 [No. 290, c. 107] he
subscribed 2 flor. 10 s. [A.S.F., Prestanze ad an.].
Father of—
22a. Sordo di Paolo. Flor., b. 13—, d.-.
MI. On May 19, 1386, Sordo was credited with
12 lire for illuminating the Antiphonaries of S.
Egidio [A.S.M. Nuova, “ Lib. Deb. e Cred.,” 1348-
1443, B. Milanesi],
23. Paoluccio di Lazzarino, v.s. Lazzarino
da Lucca.
24. Papi, Camillo. On Oct. 31, 1596, Camillo
Papi and Cosimo Gamberucci were the valuers in a
dispute between Jacopo Broghaca and Silvestro
Buonfanti [A.D., R. 27, c. 12*].
25. Parenti, Stefano d’ Antonio. Prato,
b. 15—, d. 16—. P. A.D. mat. Jan. 1593/4 [A.D.,
R. 57, 43] (drawn for Consul del Corpo 1597 (April),
1598 (Dec.) \id. 97], absent from Florence on both
occasions), p. of Santi di Tito. In 1594 Stefano
painted a canvas for the festival of S. Luke, the
subject being “L’ Ingegno,” with the motto “in
giovanile eta, canuta mente.” Stefano is entered
as an Academician in the A.D. Registers [29, 31] in
1613 and 1628/9, the latter being the latest reference
we have found relating to this P.
200
PARENTI
was charged the district fee of 14.10 lire. In 1602
Filippo was at Leghorn [Tolomei, “ Guida di
Pistoja,” 1821 s.ni\. When he went to Milan,
where he is said to have resided for some time, is
not stated. Lanzi [“ Stor. Pitt.,” I. 265] says that
Filippo, having committed some crime in that city
which placed his life in danger, fled to Rome, and
put himself under the protection of Prince Colonna.
Not believing himself safe in Rome, he sought
refuge at Mazzarino, a fief of the Colonna family in
Sicily. He visited Syracuse, Palermo and Calama,
in which places he worked, finally dying in that
island. Richa [“ Chiese Fior.,” III. 304] mentions
a “ S. Giovanni Decollato” by Filippo Paladini in
the church of S. Jacopo in Campo Corbolini,Florence.
Filippo was the father of Arcangiola Paladini,
1599-1623, P., embroideress, poet and musician,
whose notice belongs to the seventeenth century.
16. Panicale, Masolino da, v. Masolino da
Panicale.
17. Paolino, Fra, v.s. Signoraccio, Bernar-
dino del.
18. Paolo d’ Andrea, da Siena, b. 13—, d. 13—.
P. Phy. A. bet. 1320-53 [Cod. VII.]; entered among
Sienese P.’s working in Florence in 1343 [Cod. VIII.].
Paolo was in debt to Guido di Ghezzo, P. of Siena
[q.v.\, who, on June 8, 1333, ceded his credit to
Matteo Rosselli, P., of Florence [Milanesi, N. Doc.
No. 46].
19. Paolo di Dono di Paolo, v. Uccello,
Paolo.
20. Paolo di Giovanni. Flor., b. 13—, d.-.
Phy. A. Dec. 1, 1373. pop. S. Piero Maggiore
[Cod. VII. IX.].
21. Paolo Schiavo was Paolo di Stefano
Badaloni. Flor., b. 1397, d. 1478 Phy. A. Dec.
8, 1429 [Cod. VII. XXI.]. S.L. (lib. rosso 1472).
A follower of Masolino da Panicale. Paolo painted
a fresco in a tabernacle on the Canto de’ Gori at
the entrance of the Via dell’ Ariento. The spot is
now termed “ Le Cantonelle,” a corruption of the
neighbouring Canto de’ Nelli. This fresco, which
represents the Virgin, Infant and Saints, is still
extant, but has been repainted. Vasari alludes
to the foreshortening of the figures [San. II. 266 and
n. 2]. In 1440 Paolo painted, in the upper cloister
of the Convent of S. Apollonia, Our Saviour on
the Cross with nuns kneeling, inscribed “ Pacholo
D. Stefano dipinse questo crocifisso a.d. 1440 ”
[Crowe and Cavalcaselle, ed. Lemon. II. 266 and
n. 2]. Later Paolo left Florence for Pisa, where he
res. next to the house (sub domo) of Battista
Lanfreducci. That he did not altogether sever his
connection with Florence may be inferred from the
entry in the Libro Rosso noted above. On June 6,
1462, p. s. (1463 c. s.) Raniero d’ Antonio, goldsmith
of Pisa, made a declaration with reference to the
painting of a panel, or colmo, by Paolo, for the
nuns of S. Domenico of Pisa, in which he stated
that Paolo had promised to paint the panel and
had already received on account the sum of 24flor. pic.
[Milanesi, N. Doc. No. 132 and n. 1]. In the
Communal Gallery of Pisa there is a Resurrection
of Lazarus, from the church of S. Domenico, which
is attributed to Paolo [Crowe and Cavalcaselle,
ut sup. 267]. Paolo died in Pisa. He may have
received the surname of Schiavo from his family
having been of Sclavonian origin [Milanesi], Father
of—
21a. Marco di Paolo di Stefano. Flor., b.
14—, d. 14—. P. Marco res. and worked in
Pisa. On Dec. 18, 1475 c-s., he contracted to
execute, within two months, two plaster pictures
of the Virgin Mary, 2 bracchia in height, with a
tabernacle of wood, painted and gilded, for Messer
Gabriello Marchiani. The gold used was to be
fine, the blue colour from Germany. Marco appears
to have received in payment six “ salmas ” of
wine of the value of 18 lire. In the deed, which
was drawn up in his bottega, Marco is described
as a P. in the city of Pisa, of the parish of S. Martino
[Milanesi, N. Doc. No. 142].
22. Paolo di Soldino di Dictaiuti. B. 13—-,
d. 13—. MI. Phy. A. bet. 1320-38 [Cod. VII.
VIII.] (one of the six Consuls in Sept. 1347 [Cod.
XLVI.]). Among the P.’s deputed by the Phy. A.
to attend the Council on the works of Sta. Reparata
on July 13, 1366, and selected to make a design or
model of the church on the 20th of the same month
[Guasti, “Sta. M. del Fiore,” 167, Nos. 141-42],
Paolo, “ Miniator librorum ” of the Qr. of S.M.
Novella Gonf. Leone Bianco, was inscribed in the
Estimo of 1351 [c. 124*] for 15 lire; in the Sega of
1354 [c. 41, 134*, 249*] for 5 lire, raised to 15 lire;
for the Prestanzone of 1376 [No. 290, c. 107] he
subscribed 2 flor. 10 s. [A.S.F., Prestanze ad an.].
Father of—
22a. Sordo di Paolo. Flor., b. 13—, d.-.
MI. On May 19, 1386, Sordo was credited with
12 lire for illuminating the Antiphonaries of S.
Egidio [A.S.M. Nuova, “ Lib. Deb. e Cred.,” 1348-
1443, B. Milanesi],
23. Paoluccio di Lazzarino, v.s. Lazzarino
da Lucca.
24. Papi, Camillo. On Oct. 31, 1596, Camillo
Papi and Cosimo Gamberucci were the valuers in a
dispute between Jacopo Broghaca and Silvestro
Buonfanti [A.D., R. 27, c. 12*].
25. Parenti, Stefano d’ Antonio. Prato,
b. 15—, d. 16—. P. A.D. mat. Jan. 1593/4 [A.D.,
R. 57, 43] (drawn for Consul del Corpo 1597 (April),
1598 (Dec.) \id. 97], absent from Florence on both
occasions), p. of Santi di Tito. In 1594 Stefano
painted a canvas for the festival of S. Luke, the
subject being “L’ Ingegno,” with the motto “in
giovanile eta, canuta mente.” Stefano is entered
as an Academician in the A.D. Registers [29, 31] in
1613 and 1628/9, the latter being the latest reference
we have found relating to this P.