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Cook, Arthur B.
Zeus: a study in ancient religion (Band 1): Zeus god of the bright sky — Cambridge, 1914

DOI Seite / Zitierlink: 
https://doi.org/10.11588/diglit.14695#0188

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The Mountain as the Throne of Zeus 125

the god's seat. Similarly the throne and thunderbolt of Zeus on
coppers of Olba in Kilikia, struck probably at the end of the first
century B.C. (fig. 94)1 and the beginning of the first century A.D.
(fig. 95)2, may mean that Uzundja-Burdj, 'Tall Castle' (3800ft.

Fig. 94. Fig. 95.

above sea-level), on which Zeus Olbios had his hieronz) was con-
ceived as his sacred seat, though here an allusion to an actual
throne occupied by the priestly king4 is equally possible.

Vase-painters of the fourth century B.C. sometimes represent
Zeus seated or reclining on a mountain in the upper register of
their design. Thus a fine hydria from Ruvo, painted in the style
of the potter Meidias5 and now preserved at Karlsruhe6, introduces
the god as part of a Polygnotan background to a familiar scene—
the judgment of Paris (pi. xi)7. In the midst sits Paris himself,
here as often named Alexandros. As a Phrygian he wears a rich
Oriental costume; but as a shepherd he carries a short thick staff
and is accompanied by his dog. He turns to speak with Hermes,
who has brought the three goddesses to Mount Ide. The
laurels and the rocky ground mark the mountain-side. Aphrodite,

1 Brit. Mus. Cat. Coins Lycaonia etc. pp. Hi f., 119 pi. 21, 7, Zeitschr.f. Num. 1885
xii. 369 (from the same die), Head Hist, num.'2 p. 726.

2 Brit. Mtis. Cat. Coins Lycaonia etc. p. 124 pi. 22, 7, Head Hist, numi2 p. 727,
G. F. Hill in the Num. Chron. Third Series 1899 xix. 189 f. no. 3 7 (no. 3 /3 has throne
turned to left), Anson Num. Gr. i. 137 f. nos. 13541". pi. 26. The legend of the
specimen here figured is AYNAITO[Y] OABE[HN] THI IE PAZ KAI
KENNAT I KAI-AAAAISEflN ^\M = erovs «*').

3 J. T. Bent in the Journ. Hell. Stud. 1891 xii. 220 ff., R. Heberdey and A. Wilhelm
' Reisen in Kilikien' (cited infra ch. ii § 9 (h) ii (£")).

4 Infra ib.

5 G. Nicole Meidias et le style fleuri dans la ceramique attique Geneva 1908 pp. 65—
69 pi. 2, 2.

6 Winnefeld Vasensamml. Karlsruhe p. 63 ff. no. 259.

7 Furtwangler-Reichhold Gr. Vasenmalerei i. 141 ff. pi. 30.

In sarcophagus-reliefs etc. representing the judgment of Paris this seated Zeus is
sometimes transformed into a seated mountain-god: see Robert Sark.-Relfs. ii. 11 ff.
pi. 4, 10, 10', 10" (Villa Pamfili) — Mou. d. Inst, iii pi. 3, Ann. d. hist. 1839 xi. 214 ff.
pi. H, Overbeck Gall. her. Bildzv. p. 240 f. pi. 11, 5, Roscher Lex. Myth. iii. 1624 fig. 9,
9a; Robert op. cit. ii. 18 pi. 5, 12 (Palestrina); cp. Robert op. cit. ii. 17 fig. (Villa
Ludovisi) = Mon. d. Inst, iii pi. 29, Ann. d. Inst. 1841 xiii. 846°., Overbeck Gall. her.
Bildw. p. 238 ff. pi. ir, 12.
 
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