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Cook, Arthur B.
Zeus: a study in ancient religion (Band 1): Zeus god of the bright sky — Cambridge, 1914

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https://doi.org/10.11588/diglit.14695#0450

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374 The Ram and the Sun in Egypt

commonly Dionysiac—a kdntharos, a bunch of grapes, a herm of
Dionysos. But this is an argument on which it is easy to lay too
much stress.

Stephani further drew attention to a series of double busts
which combine the head of Amnion with that of a more or less
certain Dionysos1. Sometimes a bearded head with ram's horns is
joined to a bearded and hornless head2. Where the latter is
wreathed with vine-leaves3 or ivy-leaves4, it undoubtedly represents
Dionysos. Where the wreath is absent5, we cannot feel the same
assurance. Again, a bearded head with ram's horns is joined to a
beardless head with short bovine horns6. Here opinion is divided,
some supposing that Amnion is combined with a semi-bovine
Dionysos7, others that he is linked to a second water-god, the
Libyan Triton8. Exceptional is a double bust in the Vatican,
which yokes two youthful heads, one having ram's horns and a
slight beard, the other small bovine horns9. Stephani concludes
that the artist wished to unite the Libyan with the Greek
Dionysos10; Overbeck, that the head with ram's horns is more
probably a portrait in the guise of Ammon11. Another isolated
example is a double herm of Ammon and a satyr at Berlin, sur-
mounted by a capital in the form of a kdlathos™. On the whole,
a survey of these double busts makes it clear that Ammon stood in
close relation to the Dionysiac circle.

Finally, Stephani published an Apulian beM-krater at Saint

1 L. Stephani loc. cit. p. 77 f.

2 (1) Amelung Sculpt. Vatic, i. 657 no. 523 pi. 70. (2) Mon. d. Inst, iv pi. 49,
E. Braun in Ann. d. Inst. 1848 xx. 186 ff. pi. I, Overbeck Gr. Kunstmyth. Zeus p. 285 f.
Atlas pi. 3, 11. (3) S. Maffei Museum Verortense Verona 1749 p. 93 no. 3. (4) Anti-
chita di Ercolano Napoli 1792 viii. (Le Lucerne ed i Candelabri d' Ercolano) 313 pi. 70,
Roux-Barre Here, et Pomp, vii Bronzes 3e Serie p. 4 f. pi. 3.

3 Amelung loc. cit.

4 Maffei loc. cit.

5 Mon. d. Inst., Ann. d. Inst., Overbeck locc. citt. In Antichila di Ercolano, Roux—

Barre locc. citt. the head of Ammon has a wreath of ivy and flowers, the other head
a diadem.

6 (1) Visconti Mus. Pie-CUm. v pi. A, 3. (2) Overbeck op. cit. p. 287 f. no. 37.
(3) Id. id. p. 288 no. 38 Atlas pi. 3, 12. (4) Id. id. p. 288 no. 39. (5) Id. id. p. 288
no. 40.

7 So e.g. J. de Witte in Ann. d. Inst. 1858 xxx. 82, L. Stephani loc. cit. p. 78.

8 So e.g. K. Botticher Nachtrag zum Verzeichniss der Bildhauerwerke in Berlin 1867
no. 985 ff., especially no. 988.

9 E. Fistolesi—C. Guerra // Vaticano descritto ed illustrato Roma 1829—-1838 vi
pi. 103, E. Plainer—C. Bunsen—E. Gerhard—W. Rostell Beschreibung der Stadt Rom
Stuttgart und Tubingen 1834 2- no. 33, Overbeck Gr. Kunstmyth. Zeus p. 289 f.

10 L. Stephani loc. cit. p. 77 f.

11 Overbeck op. cit. p. 289 f., quoting Pistolesi's interpretation 'Lisimaco.'

12 Overbeck id. p. 288.
 
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