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Cook, Arthur B.
Zeus: a study in ancient religion (Band 1): Zeus god of the bright sky — Cambridge, 1914

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https://doi.org/10.11588/diglit.14695#0592

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Ritual Horns

area. Of course in classical times, though the term ' horned altar'
survived1, its origin had been long forgotten. The object itself had
commonly passed into alien and almost unrecognisable forms.

Fig. 379. Fig. 380.

Thus the ritual horns of ' Minoan' art (fig. 37/)2 were stylised
into mere cones by the ' Dipylon' painter (fig. 378)3 and finally

1 Anth. Pal. 6. 10. 3 (Antipatros on an altar dedicated to Athena by Seleukos)
fiwfibv tol Kepaovxov edeL/xaro rdvde 'SeXevKos. There may be a special point in the epithet
Kepaovxop ; for Seleukos himself was|horned, cp. Appian. Syr. 57 /cat rb crtD/m ovtl evpwary
re /cat /ueydXcp /cat ravpov dyptov ev 'AXe^dvSpov dvaia irore iKdopovTa tG>v deafxibv viroaravTL
pLovu} /cat rats XeP(r"i P-bvcus KareLpyaa/mevu) irpoaridtaaLV is tovs dvdpidvras eirl t(£8e Kepara.
Coins give him the horn of a bull (B?'it. Mus. Cat. Coins Seleucid Kings of Syria p. 3
pi. i, 6, Hunter Cat. Coins, iii. n pi. 63, 20), or add the horn and ear of a bull to his
helmet {Brit. Mus. Cat. Coins Seleucid Kings of Syria p. 4 pi. 1, 11 ff.), or even make
his horses and elephants horned (id. p. 3 ff. pi. 1, 6 ff., Head Hist, num.2-p. 756 ff.).
E. Saglio in Daremberg—Saglio Diet. Ant. i. 351 n. 65 cites also Nonn. Dion. 44. 97 ff.
evicepdip irapa j3(x)/uup \ drfXvv oiv Kepoevn avveixiropov apaevi ra6pq>, \ yxL At6s ireXev dXaos
opeiddos ^/mirXeov tiXys, \ 7n]vi /cat 'AdpvddeaaL fxiav ^tivwae ffvrjXrjv | Kd5,aos ' Ayrjvopidrjs.
Cp. the Thes. Ling. Lat. iv. 971, 7 ff.

2 Part of relief on a steatite pyxis from Knossos (A. J. Evans in the Journ. Hell. Stud.
1901 xxi. 101 ff. fig. 2).

3 Detail of 'Dipylon' vase from the site of the Kynosarges gymnasium at Athens
(J. P. Droop in the Ann. Brit. Sch. Ath. 1905—1906 xii. 81 ff. fig. 2 b). Mr Droop
 
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