Cook, Arthur B.: Zeus: a study in ancient religion (Band 2,1): Zeus god of the dark sky (thunder and lightning): Text and notes (Cambridge, 1925)

2 00 The Delphic Tripod

Pythian victories1, portray a pillar built into the terrace-wall at

Fig. 140.

central portion of the pillar and of the figure adjoining it, together with hands or fingers,
nose-tips, etc.

(2) At Berlin (Ant. Skulpt. Berlin p. 373 f. no. 921, T. Schreiber op. cit. pi. 35 ( = my
fig. 141), F. Studniczka Die Siegesgoeltin Leipzig 1898 p. 20 pi. 8, 38 { —id. in the Jahrb.
d. kais. deutsch. arch. Inst. 1906 xxi. 77f. fig. 1), Overbeck op. cit. Apollon p. 259 f.
Atlas pi. 21, 10, id. Gr. Plastik* i. 262 fig. 71, Miiller—Wieseler—Wernicke Ant.
De>ik)n. ii. 3. 303 ff. pi. 25, 4). Restored : only the extreme edges of the relief and the top
of Nike's nearer wing. Pentelic marble. Height o'77,sm, breadth i'035m.

(3) In the Louvre (Frohner Sculpt, du Louvre i. 42 ff. no. 12, Clarac Mus. de Sculpt.
ii. 236 pi. 120 fig. 39 ( = Reinach Rip. Stat. i. 20 no. 1), T. Schreiber op. cit. pi. 36,
Overbeck Gr. Kunstmyth. Apollon p. 260, Collignon Hist, de la Sculpt, gr. ii. 652f.
fig. 344, J. Warrack Greek Sculpture Edinburgh s. a. pi. 62). Restored: the edges of the
relief, including plane-tree, head and left leg of small statue, top of Nike's wings, forearms
of Apollon and Artemis, upper part of tripod, and most of pediment. Greek marble.
Height o-6.5m, breadth ro8m.

(4) In the British Museum—fragment containing left half only [Brit. Mus. Cat.
Sculpture i. 357 f. no. 775, Description of the collection of Ancietit Marbles in the British
Museum London 1842 ix. 157 ff. pi. 36, 2, F. Studniczka in the Jahrb. d. kais. deutsch.
arch. Inst. 1906 xxi. 79 with fig. 3 on p. 82 from a photograph by W. A. Mansell & Co.
no. 1050). Pentelic marble. Height 2 ft. 4 ins., breadth 1 ft. 9 ins.

Other replicas, excerpts, etc. are listed by Overbeck Gr. Kunstmyth. Apollon p. 260 ff.
Atlas pi. 21, 11 f.

1 Cp. the citharodic relief of c. 400 B.C. from Miletos (? Athens), acquired by the
Dresden Museum in 1892 (P. Herrmann in the Jahrb. d. kais. deutsch. arch. Inst. 1894
ix Arch. Anz. p. 26 f. fig., F. Studniczka id. 1906 xxi. 80 with fig. 2 on p. 79, Reinach
Rip. Reliefs ii. 60 no. 4),—a possible forerunner of the archaising series. The prototype
is, however, to be sought in an archaic original such as the fragmentary altar of the
Barracco Museum {Catalogue Barracco no. 82, Reinach Rip. Reliefs iii. 160 nos. 2 and 3).