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Cook, Arthur B.
Zeus: a study in ancient religion (Band 3,1): Zeus god of the dark sky (earthquake, clouds, wind, dew, rain, meteorits): Text and notes — Cambridge, 1940

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https://doi.org/10.11588/diglit.14698#0263

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Hephaistos and Athena

20I

would be but local equivalents of Kronos and Rhea1. Some such
assumption at least accounts for their persistent juxtaposition in
classical times. Homer's cunning craftsman, who overlays gold on
silver, is 'the man that Hephaistos and Pallas Athene have taught
all manner of art, and full of grace are the works of his hand2.' The
Homeric Hymn to Hephaistos3 opens on the same note:

Sing, tuneful Muse, Hephaistos and his craft,
Who with bright-eyed Athena taught mankind
All splendid work on earth, whereas of yore
Men dwelt like brute beasts in their mountain-dens.

Solon's4 description of the artificer owes something to these epic
writers:

Taught by Athena and Hephaistos' skill
Another learns his trade and earns his meal.

Platon5 too with curious frequency insists on the partnership of
Hephaistos and Athena.

Their association is further attested by mythology, art, and actual
cult. If Hephaistos fashioned woman, Athena adorned her—a story
as old as Hesiod6 and brilliantly illustrated by the Anesidora-cup
(pl. xxvii)7.

This squares with the fact that in Crete, where Kronos and Rhea bulked big,
Hephaistos (Farnell Cults of Gk. States v. 389 and L. Malten in Pauly—Wissowa Real-

viii. 314f., 3+r: both rightly attach little weight to Diod. 5. 74 and Paus. 8. 53. 5)
and Athena (U. von Wilamowitz-Moellendorff in the Sitzungsb. d. Akad. d. Wiss.
Berlin 1921 p. 952. On Athena KuSwWa see Prehn in Pauly—Wissowa Real-Enc. xi.
23o8) were nobodies.

Od. 6. 233 f. Sv "H0aioros SeSaev Kai IlaXXds ' Adrp-q \ t4xvV Travrol-qv, xapievra Se
*P7a TeXeiei.

ff- Heph. 1 ff. "H0cuirTOi' k\vt6/xt]tip deiSeo, MoCua Xiyaa, | Ss fJ-er 'AOqvai-qi
y ax/cwiriSos dyXad ipya | avdptlnrovs eSiSa^ev eirl x^ov^t °* T0 irapos irep \ avrpois vaiera-
<X,!Km otipeaw, -qtire Brjpes.

Sol. frag. 13. 40 f. Bergk4, [. 49 f. Diehl dXXos ' A8-qvali)s tc Kal 'H0aicrrou 7roXu-
TeX"eu I lpya jaeis xetpcfo ft/XX^yerai [Siotov.

Plat. Pro/. 321 D (Prometheus) KXeVrei 'H0atVroi' Kal 'Ad-qvas tt)v ZvTexvov votplav
TVpl {supra i. 324), polit. 274 C Trip fiiv irapa llpofi-qdeox, W^oi Si Trap' 'H0a(ffrou Kai
'S <TWT*X''°v, Kritias 109 c—D "H0ai<T7os Se KoiVTqv Kai 'ABqva tpiaiv £x0,,7"es> "MO

<f><)v €k TairroC irarpds, d/ia Se 0iXocro0i'a 0iXoT€X"t'a Te Irl ra aura iXdovres, oStu filav
Tc0 •>^<* T^"^e T*lv Xupav elX-qxarov "s oUeiav Kal Trpbafyopov apery Kal (ppovqaei.
T^ 'VLav) HvSpas Se ayaOovs ep.Troi'qo'avTes ai'tox&ovas errl vovv Zdeaav r-qv ttjs ToXirelas
*egg- 920 D 'Hcpal&Tov Kal 'A$-qvas lepbi* to tQ>v S-qixwvpywv ytvos, ot tov filov tjimv
y*aT**Kev&Kan T{Xvai%.
, **ef- th'°g- 571 ff-, o.d. 60 ff., 70 ff.

4th Mus' Caf' Vas" 3§9ff- no- D +■ A- S- Murray—A- H- Smith WM**

WinT" VaS" in the British Museum London 1896 p. 29 pl. 19, E. Gerhard in the
de ^ na*lnsfes'-l'rogr. Berlin i. 5—7 pl. 1 (in gold and colours), Lenormant—
'tte £l. „l0n. cir_ iU ^off^ 159 f. pl. 4+) A. Rapp in Roscher Lex. Myth. i. 2057 f.
 
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