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Cook, Arthur B.
Zeus: a study in ancient religion (Band 3,1): Zeus god of the dark sky (earthquake, clouds, wind, dew, rain, meteorits): Text and notes — Cambridge, 1940

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https://doi.org/10.11588/diglit.14698#0463

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Water-carrying in connexion with marriage 393

and will leave no children to carry on the proud tradition of knightly
names1. His mother Philostrate, seated in the foreground, looks
Wlth steadfast gaze at the young man's face, while she clasps his
hand for the last time. His father, a bearded figure with furrowed
forehead, stands in the background leaning on a staff and lays
^ detaining hand on the lad's shoulder. And in the centre of the
e gable above their heads is carved in low relief the wedding-
vase. Now, how is this seemingly inappropriate addition to be
e*plained?

Is it to be regarded as a pathetic reminder of all that might have
Hardly so. That would be modern, not ancient, sentiment.
e Greeks did not care to be reminded of their sorrows2, and we
never find in their graveyards such a poignant symbol as a broken
nin. M. Collignon3, taking a more practical, not to say prosaic,
lt% holds that the vase commemorates the 'chthonian bath'—
^ al act of the obsequies, in which water for washing the dead
as brought to the tomb4. But, if so, we are left wondering how
nte once common to all the dead ever came to be restricted to
nose that died un married.

More to our purpose is an explanation advanced by Sir J. G.
razer5-
It riiav h

grave ' suggested that originally the custom of placing a water-pitcher on the
anoth Unrnai"ried persons...may have been meant to help them to obtain in
part world the happiness they had missed in this. In fact, it may have been
in a ceremony designed to provide the dead maiden or bachelor with a spouse
sPmt land. Such ceremonies have been observed in various parts of the

Th"^^0" the cornice is I P PHN ATHNI P PO PEIPAEYS *IAOITPATH.

^e'ght • n °f 'ATwhnro points to a date in the first half of s. iv B.C. Pentelic marble.
For ^

at Berlin^6 l°"trofh6ros thus placed Poulsen cp. the stile of Silenis, daughter of Myiskos,
'922 p ' '492> R. Kekule von Stradonitz Die Grieehische Skulptur3 Berlin—Leipzig
^'re'i fla'l- ' W't'1 Re'nacn Rep. Reliefs ii. 40 no. 3), which has for akroteria a

1 Arist 6 1, ^ a t°utr°ph6ros on its right and a Sphinx on its left.
^r'echisc] 1 • ^3 f- See further F. Bechtel Die historischen Personennamen des

' Hdt'fi bU "lr Kaiserzeit HalIe a- d- S. 1917 pp. 219—226.

4 Kesych^'1011 DaremberS— Saglio Diet. Ant. iii. 1319.
Tct0ous ^Q " s'v' Xdbvia. \ovrpd' rd rots veKpois iiri<pcp6p.a>a. eKo/xtfop yap eirl Toil's
roi>s T' . ^a and Souid. s.v. ^^Pia \ovrpd' ra roh veKpols 4iri.(pep6p.tva. iKo^ov yap
^eid. j_ °u?^°l""P<i = Zenob. 6. 45, cp. Diogen. 3. 92 (evri rets Ta^ds), Greg. Cypr. cod.

f«Uher's kar' 8' 82' APosto1- l8- »& Arsen- P- 475' Favorin. lex. p. 1865, 37 ff-
j? idemos EL 8+' 434. Eur. Phoen. 1667 (Xovrpd) ; Aisch. cho. 129 (x^i/Sos);

^ttstath. i„ q§' 1 {PraS- gr. Kultsclir. p. 40 ff. Tresp) ap. Athen. 409 K—410 A and
"'^Mtos i^' l401' 8""- (<"r°I'Wa)- Kleidemos directs: 6pv$ai pbdvvov vpbs eairipav
''"'oi^' JUTa TaP* T0" fibBvvov Trpbs iairipav fiMire, iiSup KaT&x<* \tyt>>i> rdde-

^raZer P°'S *Pil "a' °'s ^"'s- l^eira af'flis /ivpov Kardxec
au**nias v. 389 ff.
 
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