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Cook, Arthur B.
Zeus: a study in ancient religion (Band 3,1): Zeus god of the dark sky (earthquake, clouds, wind, dew, rain, meteorits): Text and notes — Cambridge, 1940

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https://doi.org/10.11588/diglit.14698#0701

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Zeus as an ox; Zeus Olbios

up a wreath as omen of successful love. And four stars indicate the sky, which is the true
home of the metamorphosed god (G. Minervini in the Bull. Arch. Nap. 1853 ii. 46
57 ff., O. Jahn Die Entfiihrungtier Europa auf aniiken Kunsiwerken Wien 1870 p. 1
pi. 1, a ( = my pi. xlvii), Overbeck Gr. Kunstmyth. Zeus p. 434 ff. (no. 16)). Overbeck
op. cil. p. 435 n. (a) illustrates the colour of the bull from Didymos ap. Eustath. in Od.
p. 1430, 63 f. Kal ravpos apyi/j.riTi)S r/yow Xeu/c6s tpacri irapa fypwixtfi, 0 SiaKOpttcras fl^
Eupwmji', Hesych. apyip.-qTas Tavpos- to.xv/j.titis fj Xcvicbs Trapayiiyws- teyerai Si Art T°"
dia.Ko/xlo-a.i>Tos rijv 'EipuTiiv, Loukian. dial. mar. 15. 2 6 Zevs Si ra6p(p eUdaas eavro"
(TwiTrat'^ev aurais /cdXWros <pa.w6p.evos- XevKbs re yap t)v d/cpi/3ws Kal to. Kipara evnap^
Kal rbf3\ep.p.a Tjpepos- k.t.X., Ov. met. 2. 852 quippe color nivis est, 861 flores ad candicla
porrigit ora, 865 nunc latus in fulvis niveum deponit harenis, Sil. It. 14. 568 f. ardet et
Europe, nivei sub imagine tauri | vecta love, Attih. Lat. cod. Salmas. 14. 3 (i. 1. 49 R'ese^
Europam nivei solatur amore iuvenci, and—for the admixture of yellow—from Mosch. *■
84 f. rod S' ijToi to fiiv 8.W0 Sip.as fcvdbxpoov Hctkcv, | kiJ/cXos 5' apyi<peos p.io-(Xf papfia'Pe

a sli°eS

perilnrip. (B) Zeus, half-draped in a himdtion, with a bay-wreath on his head an ^
on his feet, is seated on a rock, holding an eagle-sceptre in his left hand, a//"" ^ je(j
right. This he extends towards Eros, who stands in a four-horse car. The hoises •
by Hermes, with caduceus and palm-branch. He is preceded by a small horned a.^a jjjs
shoulders his lagobSlon with the right hand and holds his syrinx with the left, W ,s ;5
head to glance at Hermes. Before both, leaning on a rock over which his c1 n0lds
thrown, stands a young man with horns, wearing a broad band round his head. 1 ^
a lagobdlon in his right hand, a phidle in his outstretched left (qnis? Heydeman p0rt
p. 499 n. 8 suggests 'Diopan im Gegensatz zum kleinen Aigipan"!' and quotes 1 oSed
O. Benndorf in the Ann. d. Inst. 1866 xxxvii i. in ff. Better, perhaps, Pa" 88 £ fire
to Aigipan, cp. supra i. 375 fig. 287). Below, flowers and grasses. Above, four sta^ ^ j
significance of the scene is doubtful. But the recurrence of these four stars jus 11 ^ tj,e
think, in linking the reverse (B) with the obverse [A). L. Stephani was perhaps ^^.j.^,,

right tack when in the Compte-rendu St. PH. 1866 p. 121 he wrote: 'in einew- sein<
Gemalde derselben Vase sieht man Zeus, umgeben von anderen Gottheiten, ' ^ jirlCli
Throne sitzen und daneben ein Viergespann, auf welchem er sich wahrschew
Kreta begeben wird.' ei-z°ne
(2) An Apulian amphora in the Museo Gregoriano of the Vatican has the "W^fre
of its body decorated with an analogous design (A. F. Gori Museum Etrusctw pasSeriuS
1737 i pis. 162 (whole vase), 163 (obverse), 164 (reverse), ii. 316 ff-> J' . 1(ieqUa'e)'
Picturae Etruscorum in Vasculis Romae 1767 i. 5 ff. pis. 4—6 (coloured but » ^ jj
O. Jahn op. cil. p. 4, Overbeck Gr. Kunstmyth. Zeus p. 436 f. (no. 17) At a
 
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