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Cook, Arthur B.
Zeus: a study in ancient religion (Band 3,1): Zeus god of the dark sky (earthquake, clouds, wind, dew, rain, meteorits): Text and notes — Cambridge, 1940

DOI Seite / Zitierlink: 
https://doi.org/10.11588/diglit.14698#0779

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688 The birth of Athena in art

the reverse, The divine witnesses are not relegated to the left and
right as flanking figures, but are paired off as conversing couples—
Poseidon with Hermes (P)1, Kore(?)2 with Hades(?)3.

The fifth type of vase-painting leads up to4 and culminates in the
great complex of sculptural decoration employed by Pheidias for the
eastern pediment of the Parthenon. The ultimate dependence of this
complex on actual cults may be seen from the following diagram:

CULT OF THE EILEITHYIAI CULT OF ZEUS POLIEUS

AT MEGARA. AT ATHENS.

Vase-type (i): Zeus in labour Vase-type (2): Athena emerging f101*1

helped by the the head of Zeus, which

Eileithyiai. has been cleft by

■ • Hephaistos.

Vase-type (3) due to Megariati potters resident in Athens:
Zeus in labour helped by the
Eileithyiai: his head has been
cleft by Hephaistos, and Athena
either (a) is, or {b) is not, visible.

Developments of the theme due to Athenian potters:
Vase-type (4): Athena, armed but not yet fully grown,
standing on the knees of Zeus.

Vase-type (5): Athena, armed and fully grown,
standing before Zeus.

PHEIDIAS'' DESIGN FOR THE EASTERN PEDIMENT
OF THE PARTHENON.

The foregoing enquiry has brought us to the threshold of
difficult, not to say dangerous, enterprise. If Pheidias desig ^
indeed the climax of certain pre-existing ceramic types, will

1 Chlamjis, pttasos, and etidromldes suggest Hermes. Is the rather obvious Pa'r°^j?
a caduceus repainted by somebody who thought the presence of Hephaistos es

2 Mus. Etr. Gres>or. ii. 5 'Venere o meglio Proserpina con fiore in mano. 0f
lb. 'Plutone.' 'I he wish to work all three of the Kronidai into the coml

heaven is understandable, though Hades is quite out of place dans cette galore. ^ ^p$rCs
4 G. Bendinelli in Aitsonia 1921 x. 109—130 claims that the seated Zeus t ^.^ a
pediment of the sixth century at Athens {sup-a i. 2 n. 7) should be c0 l"*os
standing 'thenn, like the duplicated goddess of an archaic relief ^ ?f (0 forrn 11
Nationalmus. p. 101 ff. no. 82 pi. sfi, Reinach Rip. Reliefs ii. 331 no. ^r fro*
pedimental composition representing the Birth of Athena. But his fig-
convincing. See further C. Picard La sculpture Paris 1935 i- 599
 
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