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Cook, Arthur B.
Zeus: a study in ancient religion (Band 3,1): Zeus god of the dark sky (earthquake, clouds, wind, dew, rain, meteorits): Text and notes — Cambridge, 1940

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https://doi.org/10.11588/diglit.14698#0800

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The birth of Athena in art

707

Pheidiac sculpture in the round, not by the epheboi of the west
frieze but by the Hermes of the east pediment1. The abiding
influence of Pheidias' representation may be judged from the fact
that in the pediment of Domitian's Capitoline temple a similar
figure of Mercurius occupied almost the same relative position2.

The two blocks next to Aphrodite were filled, we have said3, by
°ne figure standing and another advancing from the right. If the
former was Apollon kitharoidds, the latter was presumably Artemis.
Brother and sister thus formed a good pendant to the pair of lovers,
Hebe and Herakles, in the opposite wing of the gable. They are
restored in this position by Schwerzek4 (pi. lvii, 3) and in the
corresponding position behind Zeus by Furtwangler5.

Apollon would almost certainly have been wearing the long
chiton customary with kit/idra-p\ayers. His type is, I believe,
preserved with slight modifications by the Munich statue of Apollon
kitharoidds6, which Furtwangler attributed to Agorakritos, the pupil

It may be observed that one copy of the sandal-fastening Hermes, a statuette in the
atican (Clarac Mus. de Sculpt, pi. 814 fig. 2047), makes the god stand towards the right
and raise his left foot. But this inversion of the established pose can hardly be viewed as
a survival of the Parthenon motive.

Of the actual statue one possible portion (fig. 524) remains, two fragments at Athens
which together make the right knee and leg of a male figure
suitable in size (height o-58m) (A. H. Smith in the Brit. Mus. Cpt.
cu,pture i. 199 no. 339, 10, id. The Sculptures of the Parthenon
°nad°n '910 p. 21 frag. 59 pi. 14 A).

H. Brunn in the Ann. d. Inst. 1851 xxiii. 292, Mon. d. Inst.
g P'- 36, E. Schulze in the Arch. Zeit. 1873 p. 1 ff. pi. 57,
• Saglio in Daremberg—Saglio Diet. Ant. i. 903 with fig. 1150.
./finach Rip. Reliefs iii. 203 no. 1, W. Helbig Fuhrer durch die
Jf nthchen Sammlungtn klassischer Allertumer in Rom3 Leipzig
5°5 £ no. 893. The relief, which represents the sacrifice
th ' "^ure'uls before the temple of Iupiter Capitolinus, is now in
Pal 0 dei Conservatori at Rome (Stuart Jones Cat. Sculpt.
• <*. Conserv. Rome p. 22 ff. Scala ii no. 4 pi. 12).

, p- 705.

„ _' Schwerzek Erliiuterungen zu dent Versuch einer Rekon-
' 'tioti des Sstlichen Parihenoneiebtb Wien 1004 p. 20 f. with pi.

l-^y pi. lvii, 3).

fip Furtwangler Intermezzi Leipzig—Berlin 1896 p. 28 f.

Fig. 534.

A F n—Bruckmann Dcnkm. der gr. und rbm. Sculpt, pi. 465 ('Muse Barberini'),
'8(i Ur'WanSler—H. L. Urlichs Denktndler griechischer und romischer Sculptur Miinchen
Uu„Jc' * With Text> Furtwangler Masterpieces of Gk. Sculpt, p. 88 with fig. 36, id. Ein
p] cr' Tafeln nach den Bildwerken der kgl. Glyptolhek zu Miinchen Miinchen 1903
Pith '.'d' GlyPtotflek Miinchen'1 pp. 194—200 no. 211 ('Apollo Harberini'), P. Wolters
Witj^ ir^"rch die Glyptolhek R~dm* Ludwigs i. zu Miinchen Miinchen 1922 p. 23 no. 211

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