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Cook, Arthur B.
Zeus: a study in ancient religion (Band 3,1): Zeus god of the dark sky (earthquake, clouds, wind, dew, rain, meteorits): Text and notes — Cambridge, 1940

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https://doi.org/10.11588/diglit.14698#0847

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The olive of Athena

753

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rock by representing it as a bone of contention between two major
deities. Nowadays the sculpture has almost completely vanished
from the pediment-floor; but, so far as the principal antagonists are
concerned, extant fragments suffice to prove1 the general trust-
worthiness of the fourth-century hydria from Pantikapaion, which
g'ves us in gilded relief a close copy of the central group (fig. 53S)2.
Both claimants are in strenuous action, Athena striking downwards
w'th her lance, Poseidon with his trident. Beside the former is her
olive3 with a snake twined about it and a Nike hovering in the
Dranches. Beside the latter is his sea with a couple of dolphins
plunging in it. And the vase-painter has acknowledged his debt to
the sculptor by adding a small temple in the top right-hand corner,
as who should say 'I owe my inspiration to the Parthenon4.
Sir Cecil Smith5 in 1907 was able to show that the existing portions
°f Athena and Poseidon could be aptly superposed on the corre-
sPonding vase-figures. That is reassuring. But sundry difficulties
remain. Why after producing their tokens are the gods depicted as

1 Sir Cecil Smith in the Journ. Hell. Stud. 1907 xxvii. 245 ff. with tig. 2.
l. Stephani loc. cii. Atlas pi. I ( = nly ng- 538)1 A. Conze Wien. Vorlegebl. vi
^ 9> A. Baumeister in his Denkui. i. 221, iii. 1394 f. fig. 1542, Harrison Myth. A/on.
An ■ At>'' P- 4+1 f- 44' Re'nacn Vases 37> ' f-. H. B. Walters History o)

ent Pottery London 1905 ii. 24 pi. 50, Pfuhl Alalerei u. Zeichnung d. Gr. ii. 713
Th Swindler Ancient Painting Yale Univ. Press 1929 p. 357 with fig. 476.

hi \ °''ve~tree 's completely gilded. Athena (head broken away) and I'oseidon are in
jj^j1 re''ef. The goddess wears a green peplos and carries a yellow shield, but her lance
Eil 1 menls are golden. The god is brown-skinned and has a reddish chlamys, a

fc trident, and a white horse.

t0(j,° ^rt in Hermes 1881 xvi. 60—87 argues that the scene shows Poseidon attempting
snak °? W"^1 tr'c'e"' tne newly created olive-tree, which is protected both by the
raises ^'r'c'lt'10n'os al,d by Uionysos AevSpirris (Plout. symp. 5. 3. 1), while Athena
wiin ' 'ance to altack Poseidon himself. The remaining figures, from left to right,
actual>e ' an^rosos> Amphitrite, Kekrops The vase, like the pediment, thus depicts the

• -j °f which no literary description has come down to us.

Scufa Wo.fragme'>ts of the tree are at Athens (A. H. Smith in the Brit. A/us. Cat.
of .. '■ 20' no. 339, 17 twigs of olive (height o'l/1") and 18 part of stem and sprays
p. (2Je (ne'ght o-4im), id. A Guide to the Sculptures of the Parthenon London 1908
'48 n] n° '7 an<^ '8> id- The Sculptures of the Parthenon London 1910 p. 25 frag.

Lei .* '4U a"d frag. 149 pi. 14 d. The latter already in A Michaelis Der Parthenon
i. ^s l87' P- 199 pl- 8, 15). See also A. H. Smith in the Brit. Mus. Cat. Sculpture
pi , ' no- 339> i6> id. The Sculptures of the Parthenon London 1910 p. 23 frag. 25

if.

'heion ' 1 °bert ,0C' "L p' 67 thought ' dass der kleine Tempel mit Stephani als Erech-
6 g- p1 llm es ganz correct zu sagen, als der Palast des Kekrops...zu erklaren ist.'
« A'r ~*ci\ Smith in the Journ. Hell. Stud. 1907 xxvii. 245 fig. 2.
Guide Smit'1 in the Brit. Mus. Cat. Sculpture i. 124 ft". no- 3°4> L and M> id-
r>le Sci'l" t>lC Sc"lPtures °flhe Parthenon London 1908 p. 40 ff. no. 304, L and M, id.
^-Coll ' "" °f tlle Parthenon London 1910 p. 18 f. figs. 31 — 33 pl. 10, 1 and 1,
'gnon Le Parthenon Paris 1909—1912 pl. 58, L and M.
 
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