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Cook, Arthur B.
Zeus: a study in ancient religion (Band 3,1): Zeus god of the dark sky (earthquake, clouds, wind, dew, rain, meteorits): Text and notes — Cambridge, 1940

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https://doi.org/10.11588/diglit.14698#0949

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850 The aigis and Gorgoneion of Athena

Wuilleumier1 has suggested, by Pythagoras' bronze Perseus2, or, as
Furtwangler3 and Glotz4 have maintained, by Myron's masterpiece
on the Akropolis representing ' Perseus fresh from the slaughter
of Medousa6,' though these sculptors themselves may have drawn
their inspiration from the Pindaric Perseus 'bearing off the head
of fair-cheeked Medousa6.'

Fig. 665.

lungen Berlin 1894 ii. 215—230 pi. 6, O. Jahn in Philologus 1868 xxvii. 16 pl> r' ^'
Head in three-quarter position.

1 P. Wuilleumier in the Rev. Arch. 1929 ii. 199. ^,

2 Pythagoras of Rhegion made a bronze statue of Perseus with wings (on his fte .
(Dion Chrys. or. 37 (ii. 296, 3 f. Dindorf)). We have no right to assume that this is
blundered reference to Myron's Perseus.

3 Furtwangler Masterpieces of Gk. Sculpt, p. 201.

4 G. Glotz in Daremberg—Saglio Diet. Ant. ii. 1627. ^

5 Paus. I. 23. 7 Kai &Wa ev ttj 'A.6-qvalii)v &KpoTr6\ei 8eao-dp.€vos oWa...Kai Mypwros fl€P
to es yiiSovaav Zpyov eipyaap-evov, Plin. not. hist. 34. 57 fecit (sc. Myron)...et PerseU^^

6 Pind. Pyth. 12. 28 f. evirapdov Kpdra trv\d<rais Medolaas | vibs Aavdas with s ,
vet. on 24 b eitrdpaov 8t ip-qai ttjv "SAitiovaav, oix Sri oCtw tptiirews flx^i ^Tt ,j-j,is
eavrfs i) M^Sovffa ws eup.6p(pou 5l€K6ltq- 5i6 Kai irepi KaWous rrj'A.8rjvq, t(pihoveiKT)0'zv' ^r
contest of beauty between Medousa and Athena was a commonplace of the later ta^e[g,
graphers (Apollod. 2. 4. 3, schol. vet. Pind. Nem. 10. 6, interp. Serv. and Serv. trt■ j)i
Aen. 6. 289 (citing Serenus (Sammonicus?) the poet), Lact. Plac. narr.fab. 4- 20' ^l0-
Vat. 1. 131, 2. 112, alii.). According to Ov. met. 4. 794ff., clarissima forma I 01 ^jt,
rumque fuit spes invidiosa procorum | ilia, nec in tota conspectior ulla capillis | ParS 0f
Cic. in Verr. 2. 4. 124 tells how Verres carried off from the gold and ivory .^0,
Athena's temple on the island of Ortygia at Syracuse 'Gorgonis os pulcbC1
crinitum anguibus.'

Medousa as a beauty is irapa trpoaioKlav and calls for explanation. The^ ^
evrdpaos is clearly complimentary (Poll. 2. 87, 9. 162) and could hardly he ' jn
'large-cheeked, broad-faced.' Nor would it be safe to see in it a mere euphemis'11
EueiSijs, Ei5xa'T,?!! ar>d tne I il-ce (supra ii. nun. 7). We must fall back on the ass
 
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