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Cook, Arthur B.
Zeus: a study in ancient religion (Band 3,1): Zeus god of the dark sky (earthquake, clouds, wind, dew, rain, meteorits): Text and notes — Cambridge, 1940

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https://doi.org/10.11588/diglit.14698#1037

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The stone of Kronos 935

Laurentum. Kronos and Rhea, both veiled, are sitting side by side.
Rhea, in blue chitdn and red himdtion, presses her hands nervously
together. Kronos, completely draped in a large yellow Jiimdtion,
bends forward to seize a naked boy, who flings up his arm in
a gesture of frantic supplication. But the ogre, with grim face and
horrible wide mouth, has him by hair and hand and leg. His fate
is apparently sealed; for the old and terror-stricken paidagogds,
who, clad in a yellowish chiton and a blue himdtion, appears, stick
in hand, from the background, will obviously arrive too late. But
just in the nick of time a handmaid1, in reddish chitdn and yellow

Fig- 779-

himdtion, rushes forward to present Kronos with the stony sub-
stitute. There can, I think, be little doubt that this sensational
picture—-very possibly with some symbolic meaning2—presents the
subject of Kronos' teknophagta, which we know to have been the
theme of a late Greek pantomime3.

piblioteca Vaticana e nei musei pontifici Milano 1907 p. 63 f. fig. 2, pi. 45, A, Keinach
Peint. Gr. Rom. p. 6 no. 4.

1 I cannot agree with Visconti, who loc. cit. took the paidagogds and the handmaid to
be Ouranos and Gaia! Nor yet with M. Mayer, who loc. cit. thought that the artist had
combined two moments in the myth—Kronos about to rend and devour one of his sons
ln propria persona, and Kronos about to receive another of his sons in efflgie. Least of
a'l can I accept the verdict of A. Rapp, who loc. at. includes this wall-painting in a list
of monuments 'Ohne Wahrscheinlichkeit...auf Rhea gedeutet.'

2 The infant devoured to all seeming and yet escaping from death would make an
aPPropriate decoration for a tomb. Cp. the subjects of sarcophagi noted supra ii. 417,
478 Hi. I35.

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