DOI Page / Citation link:
https://doi.org/10.11588/diglit.14699#0180
I 124
Addenda
published by R. B. Bandinelli in the A/on. d. Line. 1925 xxx. 534 f. no. 201 fig. 5.
Another black-figured ttkythos of similar style and period, found at Gela, was discussed
by P. Orsi ib. 1906 xvii. 120 ff. fig. 88. It shows the youthful figure emerging from the
cauldron, which is surrounded by roaring flames and flanked by two scared women
(Peliades?).
ii. 222 n, 4. Iambi, v. Pyth. 4 ff. possibly ' geht...durch Apollonios auf Timaios
zuriick, vgl. G. Bertermann, De Iamblichi vit. Pyth. fontibus, Diss. Kdnigsberg 1913,
S- 37' (O. Weinreich in the Sitzungsber. d. Heidelb. A/tad. d. Wiss. Phil.-hist. Classe
1924/25 Abh. vii. ir Nachtrag).
ii. 224 the ivory shoulder of Pelops. H. W. Parke 'The Bones of Pelops and the
Siege of Troy' in Hermathena 1933 xxiii. 153—162 discussing Paus. 5. 13. 4 ff. holds
that the shoulder-blade of Pelops there mentioned as brought from Pisa to Troy and
later lost off Euboia in a storm, but recovered from the sea by the fisherman Damarmenos
and at the bidding of the Delphic oracle restored by him to the Eleans, was identified in
s. vi B.C. with Pelops' ivory shoulder—a highly primitive feature of sacrificial or can-
nibalistic origin, being in reality the scapula of some cetacean!
I suspect that Eur. Bacch. 1300 (Agaue asks of her son's scattered limbs) t; irav iv
dpdpois <rvyneK\T[iij.{vov ko.\ws; points to an original form of the myth in which Pentheus
was recalled to life. This may have been detailed in the lacuna immediately following
line 1300.
Cp. the shepherds' treatment of the boy killed by a bear in Apul. met. 7. 26 nec
Uspiam ruris aperitur ille sed plane corpus eius membratim laceratum multisque dispersum
locis conspicitur...et cadaver quidem disiectis partibus <collectis> tandem totum reper-
tum aegreque concinnatum ibidem terrae dedere. Note also the queer story of Domitia
Longina, who collected the flesh of her butchered husband Domitian, put the pieces
accurately together, sewed up the whole body, and had a bronze statue of it made and
set up at Rome (Prokop. anecdota 8. 15—21).
ii. 224 n. 1 the golden breast. J. A. MacCulloch in J. Hastings Encyclopedia of
Religion and Ethics Edinburgh 1920 xi. 4iob: 'The story of Caradoc, which forms part
of the French Perceval cycle [ed. Potvin ii. I9t ff.], relates how a serpent fastened on his
arm and sucked away his life. He was saved by a young maiden presenting her breast to
the serpent, which took the nipple in its mouth. Cador then cut off its head, but with
that also the nipple, which was magically replaced by one of gold. A close parallel exists
in a Gaelic folk-tale ['Sheen Billy' in Campbell i. xcv f.], and less close in a Scots ballad
['The Queen of Scotland' in Child no. 301], but it is probable that the source is Celtic,
as the name of the wife of the Welsh Karadawe is Tegau Eurfron, Tegau "with the
golden breast".' For a full discussion of the tale and its variants see C. A. Harper
' Carados and the Serpent' in Modem Language Notes 1898 xiii. 417—431, G. Paris
'Caradoc et le serpent' in Romania 1899 xxviii. 214—231.
ii. 228 n. 4. On the sanctuary of Artemis Kalliste see now A. Philadelpheus in the
Bull. Corr. Hell. 1927 li. 15s—163 with pi. 8 and 4 figs., P. Roussel ib. 1927 li. 164—
169 (summaries by E. H. Heffner in the Am. Joum. Arch. 1928 xxxii. 360).
ii. 230 ability to stare at the sun. On this Sonnenmotiv see E. Norden Die Gelmrt
des Kindes Leipzig—Berlin p. 160 n. 2.
ii. 232 n. o. A convex sardonyx (owner unknown) shows the Delian Apollon, a nude
standing figure with the three Charites on his outstretched right hand and a bow in his
left (Furtwangler Ant. Gem men i pi. 40, 7, ii. 191, Lippold Gemmen pi. 7, 8 (enlarged)).
C. Picard La sculpture Paris 1935 i. 573 fig. 199 illustrates a relief at Munich on which
the upper part of the Delian Charites is shown—profile to left, full-face, profile to right—
perhaps after the cult-statue.
ii. 243 n. 3. On thepaidn of Philodamos see now W. Vollgraff 'Le pean delphique
a Dionysos' in the Bull. Corr. Hell. 1924 xlviii. 97—208, 1925 xlix. 104—142, 1926
1. 263—304, 1927 li. 423—468 (text reconstituted on p. 465 ff.).
ii. 258 n. 3 Zeus Bouleus. O. Broneer in the Am. Joum. Arch. 1933 xxxvii. 564
with fig. 8 publishes a white marble slab—part of a gaming board—found in the well
of a shop at Corinth, which is inscribed AIOZ BOYAEOZ and AAM [-- -]| H (? N)N
again associating Zeus Bouleus with Demeter.
ii. 258 n. 3 Zeus Bouleus or Eubouleus grouped with Demeter and Kore. With this
chthonian triad M. P. Nilsson in the Archiv f. Rel. 1935 xxxii. 87 justly cp. the
Damateres and Zeus Damdlrios of two Rhodian dedications ((1) found by the Danish
excavators on the akropolis of Lindos ['A]Xia5ac. Aap-aripuiv Kal Aids Aa/iUTplov.
(2) found at Siana in Rhodes ZiuvSLov rerpdSi iara/xlvov Aap.&reptrt oiv Kvevaav. Both
Addenda
published by R. B. Bandinelli in the A/on. d. Line. 1925 xxx. 534 f. no. 201 fig. 5.
Another black-figured ttkythos of similar style and period, found at Gela, was discussed
by P. Orsi ib. 1906 xvii. 120 ff. fig. 88. It shows the youthful figure emerging from the
cauldron, which is surrounded by roaring flames and flanked by two scared women
(Peliades?).
ii. 222 n, 4. Iambi, v. Pyth. 4 ff. possibly ' geht...durch Apollonios auf Timaios
zuriick, vgl. G. Bertermann, De Iamblichi vit. Pyth. fontibus, Diss. Kdnigsberg 1913,
S- 37' (O. Weinreich in the Sitzungsber. d. Heidelb. A/tad. d. Wiss. Phil.-hist. Classe
1924/25 Abh. vii. ir Nachtrag).
ii. 224 the ivory shoulder of Pelops. H. W. Parke 'The Bones of Pelops and the
Siege of Troy' in Hermathena 1933 xxiii. 153—162 discussing Paus. 5. 13. 4 ff. holds
that the shoulder-blade of Pelops there mentioned as brought from Pisa to Troy and
later lost off Euboia in a storm, but recovered from the sea by the fisherman Damarmenos
and at the bidding of the Delphic oracle restored by him to the Eleans, was identified in
s. vi B.C. with Pelops' ivory shoulder—a highly primitive feature of sacrificial or can-
nibalistic origin, being in reality the scapula of some cetacean!
I suspect that Eur. Bacch. 1300 (Agaue asks of her son's scattered limbs) t; irav iv
dpdpois <rvyneK\T[iij.{vov ko.\ws; points to an original form of the myth in which Pentheus
was recalled to life. This may have been detailed in the lacuna immediately following
line 1300.
Cp. the shepherds' treatment of the boy killed by a bear in Apul. met. 7. 26 nec
Uspiam ruris aperitur ille sed plane corpus eius membratim laceratum multisque dispersum
locis conspicitur...et cadaver quidem disiectis partibus <collectis> tandem totum reper-
tum aegreque concinnatum ibidem terrae dedere. Note also the queer story of Domitia
Longina, who collected the flesh of her butchered husband Domitian, put the pieces
accurately together, sewed up the whole body, and had a bronze statue of it made and
set up at Rome (Prokop. anecdota 8. 15—21).
ii. 224 n. 1 the golden breast. J. A. MacCulloch in J. Hastings Encyclopedia of
Religion and Ethics Edinburgh 1920 xi. 4iob: 'The story of Caradoc, which forms part
of the French Perceval cycle [ed. Potvin ii. I9t ff.], relates how a serpent fastened on his
arm and sucked away his life. He was saved by a young maiden presenting her breast to
the serpent, which took the nipple in its mouth. Cador then cut off its head, but with
that also the nipple, which was magically replaced by one of gold. A close parallel exists
in a Gaelic folk-tale ['Sheen Billy' in Campbell i. xcv f.], and less close in a Scots ballad
['The Queen of Scotland' in Child no. 301], but it is probable that the source is Celtic,
as the name of the wife of the Welsh Karadawe is Tegau Eurfron, Tegau "with the
golden breast".' For a full discussion of the tale and its variants see C. A. Harper
' Carados and the Serpent' in Modem Language Notes 1898 xiii. 417—431, G. Paris
'Caradoc et le serpent' in Romania 1899 xxviii. 214—231.
ii. 228 n. 4. On the sanctuary of Artemis Kalliste see now A. Philadelpheus in the
Bull. Corr. Hell. 1927 li. 15s—163 with pi. 8 and 4 figs., P. Roussel ib. 1927 li. 164—
169 (summaries by E. H. Heffner in the Am. Joum. Arch. 1928 xxxii. 360).
ii. 230 ability to stare at the sun. On this Sonnenmotiv see E. Norden Die Gelmrt
des Kindes Leipzig—Berlin p. 160 n. 2.
ii. 232 n. o. A convex sardonyx (owner unknown) shows the Delian Apollon, a nude
standing figure with the three Charites on his outstretched right hand and a bow in his
left (Furtwangler Ant. Gem men i pi. 40, 7, ii. 191, Lippold Gemmen pi. 7, 8 (enlarged)).
C. Picard La sculpture Paris 1935 i. 573 fig. 199 illustrates a relief at Munich on which
the upper part of the Delian Charites is shown—profile to left, full-face, profile to right—
perhaps after the cult-statue.
ii. 243 n. 3. On thepaidn of Philodamos see now W. Vollgraff 'Le pean delphique
a Dionysos' in the Bull. Corr. Hell. 1924 xlviii. 97—208, 1925 xlix. 104—142, 1926
1. 263—304, 1927 li. 423—468 (text reconstituted on p. 465 ff.).
ii. 258 n. 3 Zeus Bouleus. O. Broneer in the Am. Joum. Arch. 1933 xxxvii. 564
with fig. 8 publishes a white marble slab—part of a gaming board—found in the well
of a shop at Corinth, which is inscribed AIOZ BOYAEOZ and AAM [-- -]| H (? N)N
again associating Zeus Bouleus with Demeter.
ii. 258 n. 3 Zeus Bouleus or Eubouleus grouped with Demeter and Kore. With this
chthonian triad M. P. Nilsson in the Archiv f. Rel. 1935 xxxii. 87 justly cp. the
Damateres and Zeus Damdlrios of two Rhodian dedications ((1) found by the Danish
excavators on the akropolis of Lindos ['A]Xia5ac. Aap-aripuiv Kal Aids Aa/iUTplov.
(2) found at Siana in Rhodes ZiuvSLov rerpdSi iara/xlvov Aap.&reptrt oiv Kvevaav. Both