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Cook, Arthur B.
Zeus: a study in ancient religion (Band 3,2): Zeus god of the dark sky (earthquake, clouds, wind, dew, rain, meteorits) — Cambridge, 1940

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and stresses the importance of pueri ingenui patrimi et matrimi in a variety of ancient
cults, mystic and otherwise.

ii. 1073 ff. Zeus Trophonios. F. Peeters 'A propos de I'oracle de Trophonios. i. Les
onctions d'huile et le bain dans PHercyna' in Le Music Beige 1929 xxxiii. 27—32 (the
anointing with oil before the bath (Paus. 9. 39. 5—7) was not a religious rite, but a
practical precaution against cold).

ii. 1075 Demeter Erinys. A. H. Krappe ''EPINTS' in the Rheitt. Mils. 1932 lxxxi.
305—320 ('die Erinyen sind die rossgestaltigen Zwillingstochter des Herrn der Erden-
tiefe unci einer alien Fruchtbarkeitsgottheit, einer frtihgriechischen " Mutter Erde,"
beide gleichfalls rossgestaltig.... Nach einer gleichfalls alten Parallelliberlieferung ist
nur eines der Zwillingskinder weiblichen Geschlechts; das andere ist ein Hengst...').

ii. 1077 f' Zeus Asklepibs. Cp. Galen, irepl avo.TOiJ.iKwv ^yxe'P>Jtre1""' I- 2 224 f-
Ivtihn) iyu> de ev rrj irarpibi kclt' tnuvov £ri Sitrpifiov rbv XPOVOV^ virb Xarvpip iraidev6/j.evo$,
eros Tjdtj riraprov iirLb-qixouvrL rrj llepydfxw /xera KovoTOVviov 'Povtplvou, KaTao-Kevd^ovros
7)iuv rbv vewv roO Aibs 'AaKX-qn-Lou (where Kiihn prints the erroneous translation 'divi
Aesculapii templum').

Fig. 922.

ii. 1082 metopes from the temple of Asklepios. But K. A. Neugebauer in the Jahrb.

d. Deutsch. Arch. hist. 1926 xli. 83 f. infers from their lack of an upper border, from
their exact height, and from other indications that these are votive reliefs, not metopes
at all.

ii. 1082 ff. Asklepios and the Snake. An echo of Asklepios' snake at Epidauros may
be heard in the legend of St Hilarion (Oct. 21), who at Epidaurum or Epidaurus (Ragusa
vecchia) in southern Ualmatia burnt a huge snake, of the sort called boa because they can
swallow an ox (S. Baring-Gould The Lives of the Saints Edinburgh 1914 xii. 516 f.).
The story is told by Hieron. v. S. Hilar, (remit. 39 (xxiii. 50 B—c Migne).

On Alexandras or the Sham Seer see also A. D. Nock ' Alexander of Abonuteichos'
in the Class. Quart. 1928 xxii. 160—162.

Comparable with the coin-types of Glykon is the snake that appears on bronze pieces
issued by Caracalla at Pautalia in Thrace. This monster rises erect on quadruple coils
with the tail of a fish and a radiate nimbus (Brit. Mus. Cat. Coins The Tauric Cherso-
nese, etc. p. 144 f. nos. 30—32, McClean Cat. Coins ii. 195 no. 4525 pi. 170, 2) or
wreath (ib. ii. 196 no. 4526) round his head. A specimen issued by Geta gives him a
lion's head (Brit. Mus. Cat. Coins The Tauric Chersonese, etc. p. 146 no. 46). Other
bronze coins of Pautalia struck by Caracalla show Asklepios with his serpent-staff borne
through the air by a winged and bearded snake (ib. p. 145 no. 34 fig.). And the same
type occurs, under Severus Alexander, at Nikaia in Bithynia (Waddington—Babelon—
Reinach Monn. gr. d'As. Mitt. i. 474 no. 597 (wrongly described as holding a mask in
his right hand) pi. 82, 24. Fig. 922 is from a coin of mine).

ii. 1087. One more effort to find a satisfactory etymology for Asklepids is that of
D. Detscev, who in the Bulletin de VInstitut Archiologique Bulgare 1925 iii. 131—164
derives the name from a Thracian stem *dai- 'snake' and -K\am6s, KaXairiii cognate
with the Thracian place-name KXrjTn-ddva (connected with *glapi and *apio 'to bend').
On which showing Asklepids might mean 'he who moves with serpent coils.' Further
.summary of these very rash speculations is supplied by E. H. Heffner in the Am. Journ.
Arch. 1926 xxx. 207 f.

ii. ioSpff. Telesphoros. G. Seure in the Rev. Arch. 1926 ii. 161 ff. no. 276 fig. 117, A
publishes a Thracian statuette of Asklepios, with Telesphoros beside him, now in the
Museum at Plovdiv. Other examples of the hooded type are fairly numerous: they occur

e. g. in bronze at Amiens (Reinach Rip. Stat. iii. 13 no. 2), Avignon (ii. 470 no. 5),
Djemila (ii. 470 no. 6), Florence (v. 223 no. 6), Nona in Dalmatia (iii. 22 no. 4f.), Paris
 
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