DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.32874#0017
CONTENTS
IX
PAGE
ewer to the Cardinal.—It is greatly admired, and the King,
Madame d'Estampes, the Cardinal of Lorraine and the entire
Royal Family visit Cellini in his workshop.—He receives a
commission from the King to make a salt-cellar; and, upon
showing the wax-model already prepared for the Cardinal
of Ferrara, receives orders to carry it out in gold.—Whilst
carrying home the gold for this purpose he is attacked by
four robbers from whom he defends himself.126
CHAPTER IV
(1540-1543)
Cellini commences a salt-cellar and a large silver vase.—
The King confers upon him Letters of Naturalization and
the gift of the Chateau, known as VWzY —He casts
in bronze the base for a figure of adorned with bas-
reliefs.—Whilst waiting for the silver for the construction of
a figure of yzzzzzz, he executes a number of other minor works.
—The King by the advice of Madame d'Estampes orders
from him Works of Art to adorn the Chateau of Fontaine-
bleau.—He presents to the King the models for the entrance-
door to that Chateau and for a fountain there.—Madame
d'Estampes declares herself Cellini's enemy.—He goes to
Saint Germain with the object of presenting to her a silver
vase, but, being unable to see her, gives it the Cardinal of
Lorraine.—He entertains the physician Guido Guidi, Mon-
signor Girolamo de' Rossi, Bishop of Pavia, and Messer
Luigi Alamanni with his sons.—He keeps a tennis-court in
his Chateau, from which he draws a substantial income.—
Becoming in danger of falling into disgrace with the King,
he is favoured by the Dauphin and the Queen of Navarre . 145
CHAPTER V
(1543)
Cellini expels another tenant from his Chateau.—Through
the influence of Madame d'Estampes the order for the foun-
tain is transferred to Primaticcio.—He is summoned by the
second of the tenants expelled from the Chateau de Petit
IX
PAGE
ewer to the Cardinal.—It is greatly admired, and the King,
Madame d'Estampes, the Cardinal of Lorraine and the entire
Royal Family visit Cellini in his workshop.—He receives a
commission from the King to make a salt-cellar; and, upon
showing the wax-model already prepared for the Cardinal
of Ferrara, receives orders to carry it out in gold.—Whilst
carrying home the gold for this purpose he is attacked by
four robbers from whom he defends himself.126
CHAPTER IV
(1540-1543)
Cellini commences a salt-cellar and a large silver vase.—
The King confers upon him Letters of Naturalization and
the gift of the Chateau, known as VWzY —He casts
in bronze the base for a figure of adorned with bas-
reliefs.—Whilst waiting for the silver for the construction of
a figure of yzzzzzz, he executes a number of other minor works.
—The King by the advice of Madame d'Estampes orders
from him Works of Art to adorn the Chateau of Fontaine-
bleau.—He presents to the King the models for the entrance-
door to that Chateau and for a fountain there.—Madame
d'Estampes declares herself Cellini's enemy.—He goes to
Saint Germain with the object of presenting to her a silver
vase, but, being unable to see her, gives it the Cardinal of
Lorraine.—He entertains the physician Guido Guidi, Mon-
signor Girolamo de' Rossi, Bishop of Pavia, and Messer
Luigi Alamanni with his sons.—He keeps a tennis-court in
his Chateau, from which he draws a substantial income.—
Becoming in danger of falling into disgrace with the King,
he is favoured by the Dauphin and the Queen of Navarre . 145
CHAPTER V
(1543)
Cellini expels another tenant from his Chateau.—Through
the influence of Madame d'Estampes the order for the foun-
tain is transferred to Primaticcio.—He is summoned by the
second of the tenants expelled from the Chateau de Petit