DOI Page / Citation link:
https://doi.org/10.11588/diglit.32874#0592
506 LIFE OF BENVENUTO CELLINI
107; makes a portrait-medal of
the Duke of Ferrara, 108; the
Cardinal summons him to France,
110; he quarrels with Alberto
Bendedio, 111, 112; the Duke's
chamberlain offers him a ring of
inferior value as a reward for his
medal, 112, 113; Alfonso de'
Trotti praises one of his vases as
an antique, 115; he leaves Fer-
rara, 117; stays several days at
Lyons, 118; arrives at Fontaine-
bleau and is received by the King,
118, up; who praises his basin
and ewer, 119; he follows the
parts on a pilgrimage to the Holy
Sepulchre, 123, 124; is stopped
by a messenger from the King and
brought back to Court, 123; is
127 ; the King orders him to make
twelve silver statues, 127; he ob-
tains salaries for his assistants,
I2p ; the King grants him a lodg-
ing in the Chateau of Petit Nesle,
130; his possession of it attended
with difficulties, 130 J77.; his
basin and ewer presented to the
King by the Cardinal of Ferrara,
134? 1351 he is visited by the
King and many nobles, 136 jyy. ;
in obedience to the King's orders
he shows him the model of a salt-
cellar, I3pj'yy. ; an adventure in
the streets of Paris, 141 ^77.; his
experiences in bronze-casting,
146^77.; the King presents him
with letters of naturalization,
130 syy., and with the Chateau
of Petit Nesle, 131, 132; receives
orders to make decorations for the
Palaceof Fontainebleau, 134,133 ;
shows models of a gateway and
fountain to the King, 136 ^77.;
goes to St. Germain to present a
vase to Madame d'Estampes, but
is refused admittance, 162, 163;
presents the vase to the Cardinal
of Lorraine, 162; entertains Guido
Guidi, Monsignor de' Rossi, and
Luigi Alamanni in his Chateau,
164, 163; his indebtedness to the
King, 166; derives a profit from
his tennis-court, 166; turns some
tenants from the Chateau, 167
^77.; hostility of Madame d'Es-
tampes, 168, 170; he is favoured
by the Dauphin and the Queen of
Navarre, 168; the order for the
fountain is transferred from him to
Primaticcio, 171; one of his
tenants brings a law-suit against
him, 171 J77.; his interpretation
of a line of Dante, 173, 174; at-
tacks and wounds his adversaries,
174, 173; his principal assistants,
175; 176; he surprises Paolo
Miccieri with his model Caterina,
I7p; drives them out of the
house, 180; is accused of un-
natural violence towards Caterina,
180; meditates flight, 181; his
defence, 183; hearsfromMgr.de
la Fa of the commission given to
Primaticcio, 183; visits Prima-
ticcio and reproaches and threatens
him, 186^77.; discusses the mak-
ing of dies for coins with the
King, 1S8, 189; his medal of
Francis I, 18972.; he is reconciled
with Primaticcio, 192; his re-
107; makes a portrait-medal of
the Duke of Ferrara, 108; the
Cardinal summons him to France,
110; he quarrels with Alberto
Bendedio, 111, 112; the Duke's
chamberlain offers him a ring of
inferior value as a reward for his
medal, 112, 113; Alfonso de'
Trotti praises one of his vases as
an antique, 115; he leaves Fer-
rara, 117; stays several days at
Lyons, 118; arrives at Fontaine-
bleau and is received by the King,
118, up; who praises his basin
and ewer, 119; he follows the
parts on a pilgrimage to the Holy
Sepulchre, 123, 124; is stopped
by a messenger from the King and
brought back to Court, 123; is
127 ; the King orders him to make
twelve silver statues, 127; he ob-
tains salaries for his assistants,
I2p ; the King grants him a lodg-
ing in the Chateau of Petit Nesle,
130; his possession of it attended
with difficulties, 130 J77.; his
basin and ewer presented to the
King by the Cardinal of Ferrara,
134? 1351 he is visited by the
King and many nobles, 136 jyy. ;
in obedience to the King's orders
he shows him the model of a salt-
cellar, I3pj'yy. ; an adventure in
the streets of Paris, 141 ^77.; his
experiences in bronze-casting,
146^77.; the King presents him
with letters of naturalization,
130 syy., and with the Chateau
of Petit Nesle, 131, 132; receives
orders to make decorations for the
Palaceof Fontainebleau, 134,133 ;
shows models of a gateway and
fountain to the King, 136 ^77.;
goes to St. Germain to present a
vase to Madame d'Estampes, but
is refused admittance, 162, 163;
presents the vase to the Cardinal
of Lorraine, 162; entertains Guido
Guidi, Monsignor de' Rossi, and
Luigi Alamanni in his Chateau,
164, 163; his indebtedness to the
King, 166; derives a profit from
his tennis-court, 166; turns some
tenants from the Chateau, 167
^77.; hostility of Madame d'Es-
tampes, 168, 170; he is favoured
by the Dauphin and the Queen of
Navarre, 168; the order for the
fountain is transferred from him to
Primaticcio, 171; one of his
tenants brings a law-suit against
him, 171 J77.; his interpretation
of a line of Dante, 173, 174; at-
tacks and wounds his adversaries,
174, 173; his principal assistants,
175; 176; he surprises Paolo
Miccieri with his model Caterina,
I7p; drives them out of the
house, 180; is accused of un-
natural violence towards Caterina,
180; meditates flight, 181; his
defence, 183; hearsfromMgr.de
la Fa of the commission given to
Primaticcio, 183; visits Prima-
ticcio and reproaches and threatens
him, 186^77.; discusses the mak-
ing of dies for coins with the
King, 1S8, 189; his medal of
Francis I, 18972.; he is reconciled
with Primaticcio, 192; his re-