DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.61291#0096
SOME BOOKS ABOUT
GAINSBOROUGH
Fulcher’s “Life of Thomas Gainsborough.”
London, 1856.
“Thomas Gainsborough,” by Sir Walter Arm-
strong: The Portfolio, 1894.
“Thomas Gainsborough,” by the same author.
Heinemann, 1898. The chief book which
has been written on the artist.
“ Thomas Gainsborough,” by Mrs. Arthur Bell,
quarto, fully illustrated. Bell, 1897.
“A Century of Painters,” by Redgrave. Samp-
son Low, 1890.
“ Gainsborough and Constable,” by G. H. Brock
Arnold, M.A. Sampson Low.
Muther’s “Historyof Modern Painting,” 3 vols.
1896.
Catalogue of the Gainsborough Exhibition at
the Grosvenor Gallery, London, 1885.
The Special quarto Catalogue of the Loan Col-
lection of Portraits at Birmingham, 1900.
The Catalogues of Messrs. Agnew’s Exhibitions,
1899-1900, 1901.
The Discourses at the Academy of Arts, by Sir
Joshua Reynolds, notably the one delivered
four months after the death of the artist.
70
GAINSBOROUGH
Fulcher’s “Life of Thomas Gainsborough.”
London, 1856.
“Thomas Gainsborough,” by Sir Walter Arm-
strong: The Portfolio, 1894.
“Thomas Gainsborough,” by the same author.
Heinemann, 1898. The chief book which
has been written on the artist.
“ Thomas Gainsborough,” by Mrs. Arthur Bell,
quarto, fully illustrated. Bell, 1897.
“A Century of Painters,” by Redgrave. Samp-
son Low, 1890.
“ Gainsborough and Constable,” by G. H. Brock
Arnold, M.A. Sampson Low.
Muther’s “Historyof Modern Painting,” 3 vols.
1896.
Catalogue of the Gainsborough Exhibition at
the Grosvenor Gallery, London, 1885.
The Special quarto Catalogue of the Loan Col-
lection of Portraits at Birmingham, 1900.
The Catalogues of Messrs. Agnew’s Exhibitions,
1899-1900, 1901.
The Discourses at the Academy of Arts, by Sir
Joshua Reynolds, notably the one delivered
four months after the death of the artist.
70