Overview
Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
Metadaten

Dennis, George
The cities and cemeteries of Etruria: in two volumes (Band 2) — London, 1848

DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.786#0208

DWork-Logo
Überblick
Faksimile
0.5
1 cm
facsimile
Vollansicht
OCR-Volltext
chap, xli.] SACRIFICES.—SCHOOLS—BANQUETS. "J 191

In another scene the victim lies dead at the foot of the
altar, and a winged genius sits in a tree hard by. Micali
takes this to represent the oracle of Faunus, Inghirami
that of Tiresias.1

Not all these sacrificial scenes are of this sanguinary
character. Offerings of various descriptions are being-
brought to the altar, and in one case a tall amphora stands
upon it.

On one urn, on which a young girl reclines in effigy,
is a school scene, with half a dozen figures sitting together
holding open scrolls; seeming to intimate that the deceased
had been cut off in the bloom of life, ere her education
was complete.2 In this, as in certain other cases, there
seems a relation between the figure on the lid and the
bas-relief below, though in general the reliefs, especially
when the subject is from the Grecian mythology, bear no
apparent reference to the superincumbent effigy.3

Banqueting scenes are numerous, and bear a close re-
semblance to those in the painted tombs of Tarquinii and
Clusium. There are generally several couches with a pair
of figures of opposite sexes on each—a corroboration from

sword of one of the group. Gori (I. tab. style of art betrays a wide difference

146) calls this scene "the death of of excellence, and even of antiquity.

Elpenor." Another relief, which repre- Inghirami cites a case of a young girl

sents a youth stabbing himself on an reclining on the lid of an urn, which

altar, is interpreted by Lanzi and bears an epitaph for a person of more

Inghirami (I. p. 673, tav. 86) as the than 70 ; and explains such anomalies

self-sacrifice of Menceceus, son of Creon. by regarding these recumbent figures,

1 Micali, Ital. av. Rom. tav. 41 ; not as portraits of individuals, but as
Inghir. I. tav. 78, p. 654. idealities—the men as heroes, the women

2 Gori, III. cl. 2, tab. 12. as souls (I. p. 399 ; cf. 408, tav. U. 3, 2).
2 The relation is seen also in some But in the case cited, it is more likely

of the car-scenes presently to be de- that the lid was shifted from one urn to

scribed; but, with rare exceptions, there the other, in the removal from the se-

seems to be no relation beyond that of pulchre. The frequent incongruities,

juxta-position, between the urn and its however, render it very probable that

Hd. Besides the incongruity of subject, the urns were kept in store, and fitted

the material is often not the same. The with lids to order.
 
Annotationen