Verona ; 1479.]
JESOP.
235
The four last specimens, in the two preceding pages, are parts only,
but the material parts, of the subjects treated of. They ai'e not arrang-
ed, as has been before observed, exactly in the numerical order in which
they stand in the original; but are here introduced to suit the conve-
nience of working thern at press. I cannot however help remarking
that the cut attached to the fable * De Fcemina Nubente Furi ’
(Fab. viii.) is full of merit, considering the period of its execution;
and the group of dancing figures upon a hillock, in the back ground,
is prettily conceived and executed. In tlie bottom specimen, at p. 233,
ante, the reader has a notion of the degree of elegance of the border
by which each cut is surrounded. I shall submit but two more speci-
mens, or fac-similes, of nearly equal dimensions with the original;
and whicli may serve to sliew how the same animals are varied in
their representation.
Be Simia et Vuli'e.
JESOP.
235
The four last specimens, in the two preceding pages, are parts only,
but the material parts, of the subjects treated of. They ai'e not arrang-
ed, as has been before observed, exactly in the numerical order in which
they stand in the original; but are here introduced to suit the conve-
nience of working thern at press. I cannot however help remarking
that the cut attached to the fable * De Fcemina Nubente Furi ’
(Fab. viii.) is full of merit, considering the period of its execution;
and the group of dancing figures upon a hillock, in the back ground,
is prettily conceived and executed. In tlie bottom specimen, at p. 233,
ante, the reader has a notion of the degree of elegance of the border
by which each cut is surrounded. I shall submit but two more speci-
mens, or fac-similes, of nearly equal dimensions with the original;
and whicli may serve to sliew how the same animals are varied in
their representation.
Be Simia et Vuli'e.