SUPPLEMENT.
567
But one more specimen:—taken from the last scene of the 3rd act
of the Phormio. The eharacters here represented tell their story in a
very natural manner:
It only remains to observe that on the recto of Q iiii, (second set of
signatures) the colophon is thus :
Impressum est hoc opus Cura atq; impensis Magistri
Iohannis Trechsel. In ciuitate Lugdunensi. Anno. M.CCCC
XCIII. ad quartum kalendas septebrias.
An address from I. B. Ascensius to his reader, with some notices re-
specting the Andrian and Eunuch—followedby three addresses of Guido
Juvenalis—an epigram by the same, upon undertaking the work—and
another by Ioannes Egidius—terminated by the device of Trechsel, in
red, close the volume on the reverse of Q vij. The first alphabet, a to
z and Sf, as well as the second, A to Q, runs in eights. The present
is a very indifferent copy, in dark calf binding.
567
But one more specimen:—taken from the last scene of the 3rd act
of the Phormio. The eharacters here represented tell their story in a
very natural manner:
It only remains to observe that on the recto of Q iiii, (second set of
signatures) the colophon is thus :
Impressum est hoc opus Cura atq; impensis Magistri
Iohannis Trechsel. In ciuitate Lugdunensi. Anno. M.CCCC
XCIII. ad quartum kalendas septebrias.
An address from I. B. Ascensius to his reader, with some notices re-
specting the Andrian and Eunuch—followedby three addresses of Guido
Juvenalis—an epigram by the same, upon undertaking the work—and
another by Ioannes Egidius—terminated by the device of Trechsel, in
red, close the volume on the reverse of Q vij. The first alphabet, a to
z and Sf, as well as the second, A to Q, runs in eights. The present
is a very indifferent copy, in dark calf binding.